Studiolo from the Ducal Palace in Gubbio
•Designer: Made by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Amount: 39.153
On check out at The Satisfied Fifth Avenue in Gallery 501.
This depth is from a study, (or studiolo), intended for meditation and study. Its walls are carried out in a wooden-inlay strategy regarded as intarsia. The latticework doors of the cabinets, shown open up or partly closed, indicate the modern day fascination in linear standpoint. The cupboards exhibit objects reflecting Duke Federico’s vast-ranging creative and scientific interests, and the depictions of guides remember his extensive library. Emblems of the Montefeltro are also represented. This space may possibly have been built by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A related area, in situ, was made for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mother // Adult men pre-eminent in finding out and genius, // How they tumble with bared neck just before // …… // ………………………………………………knee. // Honored loyalty prevails about justice, and no one // Repents possessing yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family members, Frascati (until 1937 bought to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Artwork Record
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft Faculty
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Innovative Producing Pursuits at The Metropolitan Museum of Art
oOne Fulfilled. Lots of Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Guidebook (Spanish)
oThe Metropolitan Museum of Artwork Manual (Russian)
oThe Metropolitan Museum of Artwork Guideline (Portuguese)
oThe Metropolitan Museum of Art Guide (Korean)
oThe Metropolitan Museum of Artwork Guideline (Japanese)
oThe Metropolitan Museum of Artwork Guideline (Italian)
oThe Metropolitan Museum of Art Guideline (German)
oThe Metropolitan Museum of Artwork Tutorial (French)
oThe Metropolitan Museum of Artwork Information (Chinese)
oThe Metropolitan Museum of Art Guide (Arabic)
oThe Metropolitan Museum of Art Guidebook
oThe Metropolitan Museum of Artwork Tutorial
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Youthful Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Undertaking: What Artists See When They Appear At Artwork
oThe Artist Venture
oThe Art of Renaissance Europe: A Source for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Enjoy in Renaissance Italy
Posted by Autistic Reality on 2018-10-23 15:49:17
Tagged: , Inside , Within , Indoors , Structure , Downtown , Downstate , Metropolitan Museum , The Fulfilled , The Metropolitan Museum of Art , Metropolitan Museum of Art , Architecture , New York , New York State , New York Metropolis , Condition of New York , Setting up , Museum , Museums , Art , United states of america , US , United States , United States of The us , The united states , New York County , Manhattan , Artwork Museum , Art Museums , Landmark , Central Park , Fifth Ave , Fifth Avenue , European Sculpture and Ornamental Arts , Sculpture , Ornamental , Arts , Europe , European Sculpture , European Attractive Arts , Attractive Arts , Studiolo , Studiolo from the Ducal Palace at Gubbio , Ducal Palace , 1478–82 , 1478-1482 , 1478-82 , 1478–1482 , Duke , Palace , Gubbio , Examine Home , Analyze , Space , Duke of Urbino , Federico da Montefeltro , Urbino , Italy , Renaissance , 1478 , 1482 , 2018
#furnishings #Do it yourself #woodwork #woodworking #freedownload#woodworkingprojects #woodsmith ,wooden craft, wood planer, fine woodworking, picket chairs, wood working tools, common woodworking, woodworking publications, woodworking workbench designs