Studiolo from the Ducal Palace in Gubbio
•Designer: Built by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Number: 39.153
On check out at The Fulfilled Fifth Avenue in Gallery 501.
This detail is from a review, (or studiolo), supposed for meditation and examine. Its partitions are carried out in a wooden-inlay method known as intarsia. The latticework doors of the cupboards, proven open or partly shut, reveal the modern fascination in linear point of view. The cabinets display objects reflecting Duke Federico’s vast-ranging artistic and scientific interests, and the depictions of publications recall his considerable library. Emblems of the Montefeltro are also represented. This room may possibly have been created by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar place, in situ, was built for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mom // Males pre-eminent in studying and genius, // How they fall with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails in excess of justice, and no one // Repents owning yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti loved ones, Frascati (until 1937 bought to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Artwork Record
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft University
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words and phrases, Sculpting Language: Creative Crafting Activities at The Metropolitan Museum of Artwork
oOne Met. Quite a few Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Information (Spanish)
oThe Metropolitan Museum of Art Guideline (Russian)
oThe Metropolitan Museum of Artwork Information (Portuguese)
oThe Metropolitan Museum of Artwork Guideline (Korean)
oThe Metropolitan Museum of Art Information (Japanese)
oThe Metropolitan Museum of Artwork Manual (Italian)
oThe Metropolitan Museum of Art Guidebook (German)
oThe Metropolitan Museum of Artwork Guideline (French)
oThe Metropolitan Museum of Art Manual (Chinese)
oThe Metropolitan Museum of Art Guide (Arabic)
oThe Metropolitan Museum of Art Guide
oThe Metropolitan Museum of Artwork Guideline
oMasterpieces of The Metropolitan Museum of Artwork
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Task: What Artists See When They Appear At Art
oThe Artist Project
oThe Art of Renaissance Europe: A Useful resource for Educators
oThe Artwork of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Love in Renaissance Italy
Posted by Autistic Actuality on 2018-10-23 15:49:16
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