Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Selection: 39.153
On watch at The Met Fifth Avenue in Gallery 501.
This detail is from a study, (or studiolo), supposed for meditation and analyze. Its walls are carried out in a wood-inlay system recognised as intarsia. The latticework doors of the cupboards, shown open up or partly shut, indicate the contemporary interest in linear perspective. The cabinets exhibit objects reflecting Duke Federico’s broad-ranging creative and scientific interests, and the depictions of books recall his comprehensive library. Emblems of the Montefeltro are also represented. This space may possibly have been intended by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar place, in situ, was manufactured for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mom // Males pre-eminent in finding out and genius, // How they slide with bared neck ahead of // …… // ………………………………………………knee. // Honored loyalty prevails more than justice, and no one particular // Repents possessing yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti household, Frascati (until 1937 offered to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Record
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Artwork
oPainting Words and phrases, Sculpting Language: Innovative Producing Actions at The Metropolitan Museum of Artwork
oOne Achieved. Lots of Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Artwork
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Manual (Spanish)
oThe Metropolitan Museum of Art Information (Russian)
oThe Metropolitan Museum of Artwork Information (Portuguese)
oThe Metropolitan Museum of Artwork Guideline (Korean)
oThe Metropolitan Museum of Art Guideline (Japanese)
oThe Metropolitan Museum of Artwork Guidebook (Italian)
oThe Metropolitan Museum of Art Manual (German)
oThe Metropolitan Museum of Art Guideline (French)
oThe Metropolitan Museum of Artwork Guideline (Chinese)
oThe Metropolitan Museum of Artwork Manual (Arabic)
oThe Metropolitan Museum of Art Guide
oThe Metropolitan Museum of Art Guide
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Artwork Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Youthful Knight in a Landscape: Christian Winner and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Undertaking: What Artists See When They Look At Art
oThe Artist Job
oThe Artwork of Renaissance Europe: A Resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Adore in Renaissance Italy
Posted by Autistic Truth on 2018-10-23 15:49:15
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