Studiolo from the Ducal Palace in Gubbio
•Designer: Made by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed underneath the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Amount: 39.153
On look at at The Satisfied Fifth Avenue in Gallery 501.
This depth is from a study, (or studiolo), intended for meditation and study. Its walls are carried out in a wooden-inlay procedure acknowledged as intarsia. The latticework doorways of the cabinets, revealed open up or partly closed, show the present-day desire in linear standpoint. The cupboards show objects reflecting Duke Federico’s huge-ranging creative and scientific interests, and the depictions of books recall his intensive library. Emblems of the Montefeltro are also represented. This home could have been created by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A equivalent room, in situ, was created for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mother // Guys pre-eminent in discovering and genius, // How they fall with bared neck prior to // …… // ………………………………………………knee. // Honored loyalty prevails around justice, and no one particular // Repents owning yielded to his foster mom.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti spouse and children, Frascati (until eventually 1937 sold to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Background
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Artwork
oPainting Text, Sculpting Language: Imaginative Producing Functions at The Metropolitan Museum of Artwork
oOne Satisfied. A lot of Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Artwork
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Information (Spanish)
oThe Metropolitan Museum of Artwork Guide (Russian)
oThe Metropolitan Museum of Artwork Manual (Portuguese)
oThe Metropolitan Museum of Art Manual (Korean)
oThe Metropolitan Museum of Art Guide (Japanese)
oThe Metropolitan Museum of Art Guideline (Italian)
oThe Metropolitan Museum of Art Tutorial (German)
oThe Metropolitan Museum of Art Tutorial (French)
oThe Metropolitan Museum of Art Guidebook (Chinese)
oThe Metropolitan Museum of Art Information (Arabic)
oThe Metropolitan Museum of Artwork Guideline
oThe Metropolitan Museum of Art Guidebook
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Artwork Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Artwork
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Youthful Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Job: What Artists See When They Search At Art
oThe Artist Project
oThe Art of Renaissance Europe: A Source for Educators
oThe Artwork of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Really like in Renaissance Italy
Flooring Tiles (Established of 350)
•Factory: San Marco Laterizi di Noale Pottery
•Date: 1995
•Culture: Italian, Venice
•Medium: Earthenware
•Dimensions:
oHeight: 10¾ in. sq. (27.3 cm. sq.)
oWidth: 1¼ in. thick (3.2 cm. thick)
•Classification: Ceramics-Pottery
•Credit Line: Order, Nameless Present, 1996
•Accession Quantity: Inst.1996.1.1–.350
On view at The Fulfilled Fifth Avenue in Gallery 501.
Provenance
Produced by San Marco Laterizi di Noale as reproductions of first tiles in the Ducal Palace in Gubbio
Timeline of Artwork Historical past
•Timelines
oItalian Peninsula, 1900 A.D.-Existing
Posted by Autistic Truth on 2018-10-23 15:49:14
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