Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Amount: 39.153
On view at The Fulfilled Fifth Avenue in Gallery 501.
This element is from a study, (or studiolo), meant for meditation and review. Its walls are carried out in a wooden-inlay approach acknowledged as intarsia. The latticework doors of the cupboards, revealed open or partly closed, point out the modern day interest in linear standpoint. The cupboards display objects reflecting Duke Federico’s large-ranging creative and scientific passions, and the depictions of textbooks recall his in depth library. Emblems of the Montefeltro are also represented. This home could have been built by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A equivalent room, in situ, was built for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mother // Adult males pre-eminent in mastering and genius, // How they tumble with bared neck in advance of // …… // ………………………………………………knee. // Honored loyalty prevails in excess of justice, and no 1 // Repents acquiring yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family members, Frascati (right up until 1937 marketed to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Artwork Background
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft University
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words and phrases, Sculpting Language: Artistic Creating Routines at The Metropolitan Museum of Artwork
oOne Satisfied. Quite a few Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Artwork
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Guideline (Spanish)
oThe Metropolitan Museum of Art Guidebook (Russian)
oThe Metropolitan Museum of Artwork Manual (Portuguese)
oThe Metropolitan Museum of Art Guide (Korean)
oThe Metropolitan Museum of Art Information (Japanese)
oThe Metropolitan Museum of Artwork Guideline (Italian)
oThe Metropolitan Museum of Artwork Guide (German)
oThe Metropolitan Museum of Artwork Manual (French)
oThe Metropolitan Museum of Artwork Guide (Chinese)
oThe Metropolitan Museum of Art Guidebook (Arabic)
oThe Metropolitan Museum of Art Guideline
oThe Metropolitan Museum of Artwork Tutorial
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Younger Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Glimpse At Art
oThe Artist Project
oThe Artwork of Renaissance Europe: A Useful resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Artwork
oArt and Appreciate in Renaissance Italy
Flooring Tiles (Established of 350)
•Factory: San Marco Laterizi di Noale Pottery
•Date: 1995
•Culture: Italian, Venice
•Medium: Earthenware
•Dimensions:
oHeight: 10¾ in. sq. (27.3 cm. sq.)
oWidth: 1¼ in. thick (3.2 cm. thick)
•Classification: Ceramics-Pottery
•Credit Line: Order, Nameless Reward, 1996
•Accession Number: Inst.1996.1.1–.350
On look at at The Satisfied Fifth Avenue in Gallery 501.
Provenance
Built by San Marco Laterizi di Noale as reproductions of original tiles in the Ducal Palace in Gubbio
Timeline of Artwork History
•Timelines
oItalian Peninsula, 1900 A.D.-Existing
Posted by Autistic Actuality on 2018-10-23 15:49:14
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