Gibson Acoustic’s grasp luthiers have recreated a legend.
Gibson’s J-200 Studio proudly maintains the tradition and excellence of Gibson Acoustic’s Tremendous Jumbo line, providing a amazing mixture of functions that deliver all the sweet tone, clarity and presence envisioned from a Tremendous Jumbo. The very simple elegance of the J-200 Studio is apparent in every single detail, including its high quality Sitka spruce top and appealing maple back and sides, releasing a loaded, complete, and well balanced large conclusion and grand projection.
Nickel Grover Rotomatic Tuners
Grover’s primary Rotomatic tuners are an engineering marvel, with design and style and effectiveness accurately suited for the J-200 Studio. With a equipment ratio of 14:1, the Rotomatics deliver precision tuning in a long lasting housing that presents highest safety for the equipment and string put up. All going sections are minimize for precise meshing, reducing the chance of slippage. A countersunk pressure screw allows gamers control the tuning rigidity to any diploma. A special lubricant inside of the gear box offers sleek and precise tuning security.
Crown Peghead Brand
Gibson set the very first crown peghead brand on an ES-300 again in 1940, and it has graced the headstocks of many famous Gibson guitars at any time due to the fact, such as the J-200 Studio. Around the many years, it has also been called a “thistle” mainly because of the team of flowering vegetation with the sharp prickles, nevertheless Gibson has chosen to connect with it a “crown.”
Pickguard
The pickguard for the J-200 Studio is Gibson’s regular plain tortoise Super Jumbo form, improved with an engraved product-coloured border. As with all of Gibson Acoustic’s pickguards, the coloring, inlay, and binding are all done by hand.
Rosette
A rosette is the wonderful, hand-crafted circle all around the soundhole, and can be one of the most decorative factors of any acoustic guitar. It is also a single of the most delicate and difficult woodworking decorations on any acoustic guitar. The rosette on the J-200 Studio is a double-ring rosette, with the key ring consisting of 7-ply binding, and the next ring a few-ply binding, introducing a fashionable, understated elegance to the J-200 Studio.
Rosewood Fingerboard with Rolled Edges and Graduated Crown Inlay
The fingerboard of Gibson’s J-200 Studio is created from the optimum quality rosewood on earth, which is personally inspected and capable by Gibson’s workforce of qualified specialists before it enters the Gibson factories. The resilience of this sturdy wooden tends to make the fingerboard particularly balanced and secure, and offers each chord and take note unparalleled clarity and bite. The J-200 Studio’s graduated crown inlays are made of genuine mother of pearl, and are inserted into the fingerboard using a process that eliminates gaps and does not demand the use of fillers. The fingerboard also sports a rolled edge—instead of the typical proper angle in which the fingerboard floor meets the neck, Gibson Acoustic’s rolled edge is somewhat beveled for an exceptionally clean and relaxed experience, boosting the playability of the J-200 Studio.
Body Tonewoods (again, sides and top rated)
The prime of the J-200 Studio is manufactured from AA-quality Sitka spruce, even though plain maple is employed for the back again and sides, providing the all the deep, prosperous tone, clarity and presence envisioned from a Gibson Super Jumbo. Selecting the suitable wood, and the method to dry it out, are two of the most central strategies to Gibson’s guitar-constructing course of action. Commencing with its initially catalog in 1903, Gibson has confident its buyers that each guitar would be built applying woods with “the most strong, elastic, and sonorous traits,” and today’s guitars from Gibson Acoustic are no distinct.
Fishman Ellipse Aura Electronics Bundle
Gibson’s J-200 Studio comes geared up with a developed-in Fishman Ellipse Aura electronics package, which combines Fishman’s most innovative onboard preamp structure with the energy of the well-known Aura Acoustic Imaging Engineering. The outcome is acoustic audio that is extremely accurate and correct to lifestyle. By now loaded onto the method are four illustrations or photos that most effective match the instrument’s organic tonal characteristics. You can make changes to any of them utilizing the system’s Pickup/Image Blend or Quantity controls, or use the switchable Purely natural I and Pure II very low frequencies for tone shaping. You can also command feedback with the Stage change and automated Anti-Comments machine manage. The pickup’s ergonomic soundhole-mounted structure places slider controls at your fingertips so you can maintain a pure taking part in situation at all instances. The Fishman Ellipse Aura is used by these mentioned musicians as Brad Paisley, Pete Townshend and Travis Tritt.
Bracing
Every single acoustic guitar created by Gibson capabilities hand-scalloped, radiused major bracing inside the system, a function commonly discovered only in constrained run, hand-built guitars. By scalloping each brace by hand, the all-natural audio of the acoustic is concentrated a lot more toward the centre of the physique, improving the instrument’s audio projection. The lightweight bracing pattern inside the J-200 Studio —the exact pattern employed in Gibson’s to start with Super Jumbo in 1937—is created to aid and reinforce a quite big area, thus enabling the best a lot more independence of movement to vibrate and venture seem. The placement of the braces within the J-200 Studio also creates impressive, deep lows with total frequency assortment, generating the unbelievably well balanced, massive sound Gibson’s Super Jumbos are so noted for.
Characteristics
AA-grade Sitka spruce top rated with plain Maple back again and sides
Hand-scalloped, radiused leading bracing
Rosewood fingerboard with rolled edges and graduated crown inlays
Fishman Ellipse Aura Electronics Offer
Nickel Grover Rotomatic tuners
Phone 1-203-740-8889 OR Buy On the web
Posted by guitarhangar on 2012-04-24 14:46:42
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