A Fantastic Friday 2017 check out to Eastnor Castle in Herefordshire.
The check out near a frame where by you can consider photos of the castle and submit them to www.facebook.com/EastnorCastle
There are lots of sights of the castle from the lake, not just from this aspect.
Grade I shown developing
Listing Textual content
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Place home. 1811-1820 by Robert Smirke for 2nd Baron Somers inner alterations, typically ornamental by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these ended up not completely carried out. Ashlar direct and slate roof concealed behind embattled parapet the roof trusses and floor beams are cast iron, an early instance of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nevertheless however symmetrical castle in a critical neo-Norman and early English design: rectangular with E-system entrance entrance and flanking towers joined by small diagonal one-way links. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance entrance is dominated by a boldly massed centre which raises through 3 phases and is stepped up to the center of the developing spherical corner turrets and arched parapets to the exterior projecting porte-cochere beneath an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer types currently being advanced and terminated by tall, 3 stage corner towers which are clover leaf on approach and have corbelled parapets and solitary-gentle, spherical-headed, home windows established in deep embrasures. The central 3 bay sections have 3-mild Early English design and style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band under and corbelled blocking course higher than, guiding which the higher flooring is recessed with huge pane sash home windows in neo-Norman type surrounds which have columns and cushion capitals. The outer solitary bays have 3-light-weight Gothic model home windows but established in neo-Norman surrounds basic tripartite windows on initially flooring. Massive central double doorways and easy round-headed doorways at foundation of outer towers, that to the remaining qualified prospects to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre currently being a full top canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Backyard elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 home windows are set in a 3 stage tower which is canted to the out- side. 2-mild Geometric model windows on floor floor neo-Norman type surrounds and columns to the centre 3-gentle simple, round-headed windows on the very first flooring, but Geometric design and style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-system with a court on the south facet 4 2-gentle casement home windows less than hood-moulds tall, 2-phase square towers terminate the 2 arms of the wing.
Inside: small of the primary Smirke interiors endure. Front Staircase
Corridor, redecorated by G E Fox 1860s. Entrance Hall: Smirke, likely re-
modelled by Scott, and redecorated by G E Fox in the 1860s the carving
is by William and James Forsythe of Worcester the proportions are 60 ft
extensive by 55 ft large Romanesque style “triforium” gallery and 2-light-weight
“clerestorey” home windows with Venetian fashion tracery panelled ceiling and
braced trusses panelled doorways in neo-Norman model surrounds attractive
stencilling in canvas by Fox. Octagon area has a coffered ceiling. Gothic
Drawing Home: the plasterwork is by F Bernasconi and Son but the painted
decoration was built by Pugin and executed by the Crace organization in 1849-50
enthusiast vaulted ceiling: substantial, wrought, 2 tier chandelier by Pugin, 1850
but manufactured by Hardman of Birmingham hugely elaborate hearth with ogee
head and relatives heraldry, a painted family members tree is over linenfold
panelling, chairs, desk and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance type obtain inlaid woodwork, Istrian
stone chimneypiece evidently with a representation of Garibaldi coffered
ceiling with paintings of the Virtues and the Vices. Small Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fire and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Area: by Smirke but altered, painted
and panelled ceiling panelled dado and designed-in Gothic design sideboards
furnishings also by Smirke. Staircase Corridor: plain staircase by Smirke, arcaded
balustrade of cast iron and wooden. State Bed room: some of the earliest operate
of the Royal Faculty of Needlework, early C20 for Lady Henry Somerset. Several
drawings and perform publications endure in the muniment room of the home. The
accounts for the 1811-12 time period quantity to £85,923 13s 11½d.
(N Pevsner, The Structures of England: Herefordshire, 1963. Region Life, 7.3.68
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may perhaps not always replicate the current environment of the constructing.
Posted by ell brown on 2017-04-14 18:08:11
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