A Superior Friday 2017 check out to Eastnor Castle in Herefordshire.
The check out around a body in which you can get shots of the castle and write-up them to www.facebook.com/EastnorCastle
There are numerous sights of the castle from the lake, not just from this aspect.
Grade I mentioned making
Listing Textual content
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
State household. 1811-1820 by Robert Smirke for 2nd Baron Somers internal alterations, typically attractive by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s Sir G. G. Scott also proposed alterations but these were being not entirely carried out. Ashlar direct and slate roof concealed behind embattled parapet the roof trusses and ground beams are solid iron, an early case in point of the use of iron in domestic buildings octagonal ashlar stacks disguised as turrets. A Picturesque, nonetheless nonetheless symmetrical castle in a really serious neo-Norman and early English fashion: rectangular with E-strategy entrance entrance and flanking towers joined by short diagonal one-way links. 2 storeys and cellars in a battered plinth to the north- and south-east the castle is elevated on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises by way of 3 levels and is stepped up in the direction of the center of the developing spherical corner turrets and arched parapets to the exterior projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer kinds remaining sophisticated and terminated by tall, 3 stage corner towers which are clover leaf on program and have corbelled parapets and solitary-light-weight, round-headed, windows established in deep embrasures. The central 3 bay sections have 3-light-weight Early English model windows on the floor flooring set again in recesses and divided by flat buttresses, roll-moulded cill band beneath and corbelled blocking program earlier mentioned, behind which the higher flooring is recessed with substantial pane sash windows in neo-Norman fashion surrounds which have columns and cushion capitals. The outer solitary bays have 3-gentle Gothic type home windows but established in neo-Norman surrounds basic tripartite windows on initially floor. Large central double doorways and basic spherical-headed doors at base of outer towers, that to the left prospects to an outer parapet walkway at the foot of the aspect elevation. The north-east (facet) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a whole height canted bay of 3 windows the fenestration is a variation of the Entrance Entrance. Yard elevation of 4:3:4 home windows and tall corner towers as Entrance elevation. The central 3 home windows are set in a 3 stage tower which is canted to the out- aspect. 2-gentle Geometric type home windows on ground ground neo-Norman model surrounds and columns to the centre 3-mild basic, spherical-headed home windows on the to start with floor, but Geometric fashion outer home windows. To the south-west of the Castle is the connected kitchen wing of 2 storeys forming a T-approach with a courtroom on the south aspect 4 2-mild casement windows less than hood-moulds tall, 2-stage square towers terminate the 2 arms of the wing.
Inside: minor of the primary Smirke interiors survive. Front Staircase
Corridor, redecorated by G E Fox 1860s. Entrance Corridor: Smirke, possibly re-
modelled by Scott, and redecorated by G E Fox in the 1860s the carving
is by William and James Forsythe of Worcester the dimensions are 60 ft
lengthy by 55 feet large Romanesque type “triforium” gallery and 2-light-weight
“clerestorey” windows with Venetian type tracery panelled ceiling and
braced trusses panelled doorways in neo-Norman design and style surrounds decorative
stencilling in canvas by Fox. Octagon area has a coffered ceiling. Gothic
Drawing Space: the plasterwork is by F Bernasconi and Son but the painted
decoration was intended by Pugin and executed by the Crace agency in 1849-50
admirer vaulted ceiling: big, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham extremely elaborate fire with ogee
head and household heraldry, a painted household tree is over linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance type discover inlaid woodwork, Istrian
stone chimneypiece evidently with a illustration of Garibaldi coffered
ceiling with paintings of the Virtues and the Vices. Very little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Eating Room: by Smirke but altered, painted
and panelled ceiling panelled dado and developed-in Gothic model sideboards
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of forged iron and wood. Condition Bedroom: some of the earliest work
of the Royal Faculty of Needlework, early C20 for Lady Henry Somerset. Several
drawings and operate textbooks survive in the muniment home of the household. The
accounts for the 1811-12 period of time amount of money to £85,923 13s 11½d.
(N Pevsner, The Properties of England: Herefordshire, 1963. Place Existence, 7.3.68
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This textual content is from the unique listing, and may well not essentially reflect the present location of the setting up.
Posted by ell brown on 2017-04-14 18:08:09
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