East window by Ward & Hughes, 1869.
St Michael’s church stands on higher floor overlooking the village of Hamstall Ridware, approaching involves a lengthy walk from the street across a discipline, the spire beckoning us onward and upward. Arriving at the churchyard gate it turns into very clear that the church wasn’t the only grand ancient setting up in this article as a jagged stump of brickwork is glimpsed that signifies the last continues to be of the former Hamstall Hall will become noticeable promptly at the rear of the churchyard. The church alone appears to be mainly 14th century with some modification to windows, tower and spire in the adhering to century. The system of the constructing is uncommon in showing no structural difference between nave and chancel, the aisles go on eastwards to embrace each as a solitary device and the clerestorey higher than is unbroken.
Within it gets to be crystal clear that this is a church with much of antiquarian fascination. The central aisle is a long unbroken room flanked by a sequence of lower regimented arches revealing the more mysterious and personal spaces of the aisles on both facet. A lot of the woodwork is old, from the roof to some of the furnishings far too, but most unusually the altar reredos incorporates two late medieval painted panels (not in situ, in all probability initially part of the misplaced rood screen). Neither are of high good quality but are of fantastic fascination nevertheless. On the south side of the chancel is a canopied late medieval monument with a tomb upper body adorned with painted shields. The north aisle incorporates a series of 3 windows of early 16th century day depicting the Apostles they are so closely restored that only close to 30%-40% of the glass is original, the relaxation staying 19th century reconstruction (such as all the heads apart from pieces of two of them) but sufficient continues to be to give a feeling of their effect.
Hamstall Ridware church was just one of my favourites of the day and a significant position to finish on in each and every feeling. I did on the other hand locate it ‘locked’ on arrival and was bitterly upset, having said that after being a though in the churchyard I discovered another person approaching so decided not to leave till just after they arrived in circumstance they had the crucial. The gentleman was in fact coming to the church but confident me it must be open up and just needs a little bit of a knack to get the door open up, which he then managed to do (I would attempted a couple periods but was frightened to force it any more difficult) and as he was getting ready new music for the Sunday service he kindly permit me have time to examine and get my shots ahead of locking up. I imagine the church may be open up more routinely in summer months, but that doorway may demand some perseverance!
en.wikipedia.org/wiki/Church_of_St_Michael_and_All_Angels…
Posted by Aidan McRae Thomson on 2020-03-21 12:00:37
Tagged: , Hamstall Ridware , church , Staffordshire , Victorian , stained glass , window , Ward & Hughes
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