Dragon Scales

Dragon Scales

Dragon Scales

West window of the interior south aisle by Anthony Holloway 1972. The theme is St George, one of the a few patron saints of the cathedral (the purple St George’s cross can be discerned, along with the tail and closely abstracted head of the dragon).

Manchester Cathedral nonetheless appears to be like to all intents and functions like an primarily grand city parish church, exuding civic delight. This is traditionally talking the reality, for the diocese of Manchester was only made in 1847 and ahead of currently being raised to cathedral rank this was the parish and collegiate church of St Mary, St Denys and St George. It is nevertheless an imposing edifice, with apparently the widest nave of any medieval church in England, owing to the former existence of a multitude of chantry chapels whose interior subdivisions have extended due to the fact disappeared.

Though a parish church had existed here earlier the bulk of the current making is the end result of rebuilding in the 15th century when it was promoted to collegiate standing. Stylistically the church is uniformly late Perpendicular, and while the higher 50 % of the west tower is a Victorian addition it blends well with the remainder of the cathedral. Regrettably the initial sandstone did not age effectively, necessitating not only the full renewal of the exterior stonework but also considerably of the inner surface way too (which was in poor condition following an unwell suggested attempt to lighten the interior by making use of ‘roman cement’ and hacking into the stonework to key the new layer, an unrestored section of first stonework at the west end of the nave illustrates the condition it was reduced to). The get the job done within and out revered the primary style and design faithfully, although the cathedral has missing most of its patina of age in the process, and consequently even with being a medieval creating it now appears as if it is a Victorian one.

Additional restoration was needed pursuing bomb injury in Environment War II when a significant-explosive demolished the lady chapel and much of the north east corner. The rebuilding did not entirely comply with the initial sort, a new (mainly windowless) structure was used for the lady chapel, the new north east window was minimized in measurement and a small chantry that formerly projected from the north wall was not rebuilt.

One more consequence of the bombing was the reduction of all the pre-war stained glass. This was just about completely Victorian and experienced manufactured the interior instead gloomy so its decline is generally not mourned. Nowadays the cathedral is adorned instead by some really vivid examples of modern stained glass, most notably the sequence of 5 home windows at the west end by Anthony Holloway supplying bold splashes of color in their summary expressionism.

In spite of all the restoration and renewal the cathedral however has a great deal to give, and whilst the stonework was largely replace there is considerably medieval woodwork remaining in the roofs and furnishings. The fantastic feature here are the early 16th century choir stalls, some of the very greatest in the region with satisfying misericord seats established beneath incredibly wealthy canopies, some of the very best late medieval wooden carving to have survived.

Manchester is one of the most prosperous of the ‘parish church cathedral’ upgrades in which new dioceses were being fashioned, and whilst its type even now betrays its origins as a collegiate church it possesses the scale, interest and dignity of a cathedral.

The cathedral is ordinarily open to readers day-to-day.
en.wikipedia.org/wiki/Manchester_Cathedral

Posted by Aidan McRae Thomson on 2019-08-31 23:03:21

Tagged: , Manchester , Cathedral , church , stained glass , window , up to date , present day , summary , Anthony Holloway

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