Chatsworth Residence
Quality I mentioned
List Entry Number: 1373871
PARISH OF CHATSWORTH CHATSWORTH PARK SK 2570/2670 6/82 29.9.51 Chatsworth Property GV I Country residence. South wing 1687-9 by William Talman. East entrance 1689-91 by Talman, west entrance 1700-03, north front 1705-7 by Thomas Archer. Alterations and additions 1756-60 by James Paine, primarily changed by alterations and additions which includes the north wing 1820-42 by Jeffrey Wyatt, later on Sir Jeffrey Wyatville. Baroque and Neo-classical designs. For the 1st, Fourth and Sixth Dukes of Devonshire. Sandstone ashlar (typically area) with other stones and marbles employed for decoration. Roofs hidden driving parapets. Essentially preserving the system of the former Elizabethan house, of four ranges all-around a courtyard, and with a very long north east wing with a return assortment to south and wall enclosing a extensive entrance courtyard. Three flooring, the floor ground addressed as a basement due to the fall of the land. North wing of a single storey around a basement. South entrance of twelve bays, 3-6-3 with a rusticated basement and two upper flooring of equal peak. Superior finish pavilions have huge fluted Ionic pilasters. Comprehensive entablature with carving to the frieze of the pavilions and daring inscription CAVENDO TUTUS throughout the centre. Balustrade added in 1693 and urns in 1701. The basement has section headed glazing bar sashes and in the centre a double return flight staircase, a alternative of 1837 by Wyatville. The very first and 2nd flooring have twelve glazing bar sashes in moulded architraves with stepped keyblocks. East entrance of 1-8-1 bays, proceeds the rusticated basement, entablature, balustrade and urns. Phase headed sashes to ground ground and glazing bar sashes in keyed moulded architraves, to the two upper floors. The end bays are set again and are flanked by paired huge pilasters. The front was altered by Wyatville in 1823, who taken out a row of attic windows and refaced the entire entrance. West entrance (initially the entrance front) of 3-3-3 bays. The centre three advanced and pedimented, on four fluted Ionic connected columns. The outer bays have huge fluted Ionic pilasters. Rusticated basement with phase headed glazing bar sashes and a central flat arched entrance with moulded architrave. Two tiers of glazing bar sashes previously mentioned, in moulded architraves with stepped keyblocks, the centre and higher types embellished with aid carving. Total entablature with carved frieze, carving also in the pediment. Balustraded parapet with urns. Garlands close to the centre windows. Carving by Nadauld and by Samuel Watson. North front of 3-5-3 bays, the centre five forming a shallow curve, taller than the relaxation. Rusticated basement, big fluted Corinthian pilsters to the centre bow, and glazing bar sashes in moulded architraves. The facade was altered by Wyatville whose north wing abuts it. He altered the fenestration of the centre section, getting rid of attic windows and earning the pilasters fluted. The internal courtyard has elevations of five and seven bays, mainly in their existing kind as altered by Wyatville. Basic pilasters with carved trophies by Watson. Top ground windows with alternately triangular and segmental pedimented architraves. Wyatville replaced an open colonnade on the south side. North wing has north elevation of 1-5-5-5-1 bays, adopted by the orangery of 2-5-2 bays. Of the first component the center and conclude bays are divided by simple pilasters and have solid parapets with urns relatively than balustraded parapets. Rusticated basement with section headed glazing bar sashes and glazing bar sashes in moulded architraves above. The orangery has the five middle bays innovative and divided by simple pilasters. Significant casement windows. Balustraded parapet, dated 1827. The wing is terminated by a a few by six bay pavilion and belvedere, growing to 4 storeys. Entablatures in between storeys, glazing bar sashes in moulded architraves and the corner bays with simple pilasters. The belvedere has open up colonnades on all sides. Decreased pavilion further than. Return range to west with gateways and entrance lodges. Tripartite composition with 3 spherical-arched carriageways. The centre flanked by paired Tuscan Doric columns, triglyph frieze, entablature and parapet, partly balustraded. Flanked by glazing bar sashes in moulded architraves and rusticated highly developed end bays. Partly balustraded parapet. The central gates are re-established and are late C17 by Jean Tijou. Wall to south enclosing entrance courtyard with statues on pedestals. Interior: North entrance corridor transformed from a kitchen area by James Paine. Tuscan Doric columns with triglyphs. Wyatville replaced the chimneypieces and widened the staircase. North corridor enclosed and altered by Wyatville. The Painted Hall of two storey peak. Ceilings and walls painted by Laguerre, assisted by Ricard, in 1694. Stone carvings by Samuel Watson. Staircase 1911-12 by W H Romaine-Walker. The south variety commences with private apartments, just one place with an early C18 chimneypiece, a different with early C19 painted panels in the window reveals. The Oak Area has panelling and twisted columns of c1700, introduced from Germany by the Sixth Duke. The chapel in the south west corner is of two storeys, with an east gallery. Cedar panelling with limewood carvings by Samuel Watson. Sumptuous Baroque alabaster reredos developed by Cibber and carved by Watson. Accomplished in 1694. Partitions and ceilings painted by Laguerre. On the west aspect, the west stairs with iron balustrade of 1702 by John Gardom, with wrought iron panels on the landings by Tijou. Painted ceiling by James Thornhill. West entrance hall with Grisaille painting. Leather Space and Decrease Library redecorated in 1839 by Crace. The ground ground of the north wing has company rooms. Very first flooring has mainly personal apartments, taking in the upper 50 % of the chapel and hall, except the north wing. On the south facet non-public eating and drawing rooms, fundamentally early C18 but redone in 1780s by John Carr. The eating place was altered by Wyatville. In the west wing the centre bed room was originally a vestibule and has late C17 panelling. Other rooms with delicate late C18 plasterwork. Duchess’ dressing space ceiling by Joseph Palfreyman, 1775. The Crimson Velvet Room has a chimneypiece by Kent. On the north facet the Library designed in 1832 by Wyatville with woodwork and fittings by Armstrong and Siddons. Late C17 ceiling with painting by Verrio. The Ante-Library by Wyatville with ceiling painting by Hayter. To the north the suite of rooms in Wyatville’s north wing. Dome Home, the Great Eating Room with segmental arched coffered ceiling and chimneypiece by Westmacott the Youthful and Sievier. Sculpture Gallery lit by a few lantern skylights. At the north stop ormolu capitals to the columns, by Delafontaine of Paris. Bas reliefs by Thorwaldsen and selection of neo-classical sculpture. 2nd ground contains the point out rooms together the south wing. Excellent Staircase built by Talman (1689-90). Ceiling by Verrio statues and doorcases by Cibber, balustrade by Tijou. The condition Dining Place, Drawing Area, New music Space and Bed room fill the south facet. They have painted ceilings by Verrio, Laguerre and Ricardi and a profusion of wooden carving by the London carvers Lobb, Davis and Youthful, assisted by Watson. The rooms were being decorated in 1689-99, but only the Eating Home survives in its primary condition. In the centre of the west wing is the Sabine Bed room, at first a foyer, with uninterrupted illusionist painting above ceiling and partitions by Thornhill (1708). In the north wing are scaled-down family members rooms and in the east wing the Queen of Scots Rooms, a suite of rooms redone by Wyatville c1830. The oak stairs in between ground and first ground are by Wyatville, 1823-4. At the conclusion of Wyatville’s wing is the Theatre, developed in 1833 as a banqueting chamber. The painted ceiling panels of c1700 by Cheron and Thornhill, ended up at first in the Library. Sources: William, 6th Duke of Devonshire Handbook of Chatsworth & Hardwick, London 1844. J Lees-Milne and J Cornforth Chatsworth. 9 content in Region Life April-September 1968. Duchess of Devonshire The Dwelling: A Portrait of Chatsworth MacMillan 1982.
Listing NGR: SK2602270104
Resources
Guides and journals
Devonshire, William Duke of, Handbook of Chatsworth and Hardwick, (1844)
Devonshire, Duchess of , The Dwelling a Portrait of Chatsworth, (1982)
‘Country Life’ in September, (1968)
historicengland.org.united kingdom/listing/the-record/list-entry/1373871
Posted by Glass Angel on 2016-10-29 17:56:14
Tagged: , Chatsworth , Property , Gardens , Grounds , Derbyshire , EBB , England , Good Britain , United Kingdom
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