Viaje a EEUU – Día 9
Day:ca. 1736–52, with afterwards additions
Tradition:French, Paris
Medium:Carved, painted, and gilded oak
Dimensions:H. 18 ft. 3-3/4 in. (5.58 m), W. 23 ft. 2-1/2 in. (7.07 m), L. 40 ft. 6-1/2 in. (12.36 m)
Classification:Woodwork
Credit score Line:Purchase, Mr. and Mrs. Charles Wrightsman Gift, 1963
Accession Variety:63.228.1
On see at The Satisfied Fifth Avenue in Gallery 525
Exceptional carving, partly in significant reduction, constitutes the main glory of this paneling, which arrives from just one of the non-public residences of eighteenth century Paris, the Hôtel de Varengeville, which nonetheless stands, substantially altered, at 217, boulevard Saint-Germain. It was crafted by the architect Jacques Gabriel (1667–after 1742) for Charlotte-Angélique Courtin, comtesse de Varengeville, whose daughter, Jeanne-Angélique Roque de Varengeville, duchesse de Villars, inherited the residence in 1732. The duchesse de Villars marketed the household 4 years later to Marie-Marguerite d’Allègre, comtesse de Ruppelmonde, who owned the making until her demise in 1752 and who is most likely to have commissioned the Museum’s paneling. Sure facets of the carved ornament, these as the placement of the very long-necked birds perched on the scrolling frames of the wall panels and mirrors, are linked to a drawing that has been attributed to Nicolas Pineau (1684–1754). Pineau is primarily acknowledged for his hugely asymmetrical and deliciously whimsical styles in the higher Rococo design. That full-blown period of the Rococo is not yet attained in the delicate and spirited decoration of the Varengeville paneling, which is even now mainly symmetrical. While the boiserie is richly embellished with C-scrolls, S-scrolls, palmettes, sprigs of flowers, coiling vines, and rocaille motifs, most of the interest is lavished on a collection of trophies (eleven of which are first the remainder are copies produced for installation in the Museum). In addition to representations of the 4 seasons, the other trophies allude to ideas and characteristics ranging from army fame and princely glory, to truthfulness, commerce, gardening, tunes, and poetry. The paneling was transferred to a freshly designed residence at 31, rue du faubourg Saint-Honoré, Paris, in the late nineteenth century by comte Frédéric-Alexis-Louis Pillet-Will, from where by it was offered in 1963
Section
European Sculpture and Ornamental Arts (42,455)
Object Type / Content
Gilt (9,167)
Oak (1,176)
Portray (6,273)
Wooden (15,082)
Woodwork (2,296)
Geographic Site
Europe (168,004)
France (55,728)
Paris (6,770)
Date / Period
A.D. 1600–1800 (75,152)
www.metmuseum.org/art/selection/lookup/202996
Posted by Luis Pérez Contreras on 2017-11-30 21:18:02
Tagged: , Viaje , EEUU , United states , journey , 2017 , Olympus , m4/3 , m.Zuiko , OM-D , E-M1 , Manhattan , NYC , New York , Nueva York , Estados Unidos , The Met , Metropolitan Museum of Artwork , Boiserie from the Hôtel de Varengeville
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