Charles Eamer Kempe was a painter in the mid-19th century who was heavily influenced by high church practices. He began his own stained glass company, CE Kempe a& Co in London in 1868, and was known for his use of silver stain on clear glass. Kempe’s greatest influence was the stained glass of Northern Germany and Flanders from the 16th Century, and he often travelled to Europe with his company’s artists. After his death in 1907, his firm was run by his cousin Walter Tower and three other directors, and the insignia changed to a wheatsheaf with a black tower.
All Saints Pavement is a church in York that features a number of Kempe’s stained glass pieces. One such piece is the North Aisle – East Window, which was created in 1893. This window features intricate designs in various shades of yellow, green, and blue. The window is divided into three sections, the central section being a depiction of Christ in Majesty, flanked by saints and biblical characters on either side.
Kempe’s skill with silver stain is evident in this window, as he uses it to create delicate shading and depth. The overall effect is one of beauty and spiritual awe, which would have been the intention of both Kempe and the church when creating this masterpiece.
In addition to the North Aisle – East Window, there are other examples of Kempe’s work throughout All Saints Pavement. The Flower Window in the Lady Chapel is another impressive stained glass piece, featuring intricate floral designs in a range of colours. The War Memorial Window in the nave is another notable piece, with its depiction of soldiers at war and angels guarding them.
Overall, Kempe’s work at All Saints Pavement and throughout his career showcases his skill as a stained glass artist and his dedication to high church practices. His influence is still felt today in the numerous churches throughout England and beyond that feature his stained glass designs.
Posted by Glass Angel on 2018-03-17 23:23:20