Official record entry
Heritage Class: Mentioned Making
Grade: I
List Entry Quantity: 1318120
Day initially outlined: 04-Oct-1960
Place
Statutory Address: CHURCH OF ALL SAINTS, COOPER’S HILL
County: Devon
District: Torridge (District Authority)
Parish: Winkleigh
National Grid Reference: SS 63274 08062
Specifics
Parish Church. Early C14 remodelled in C15 with C17 and C19 additions, restored in 1872-3 and 1902. Coursed and random stone rubble walls. Gable ended slate roofs apart from flat roof to north transept. Plan: nave, chancel, north aisle, north and south transepts, west tower and south porch. C19 vestry to north aspect of chancel. The earliest options of the creating are the windows to the chancel which advise a date of early C14 which is substantiated by paperwork. In the C15 a main remodelling took position, obvious in the nave and north aisle and the tower and north transept are probably also to day tothe C15. The smaller south transept recognised as the Gidley Chapel by Bartholomew Gidley as a mortuary chapel for himself and his descendants, was extra in the early C17. A big restoration was carried out in 1871-3 costing £6-7,000, by J F Gould which integrated amongst other carved stone and woodwork carved wooden bench finishes by H Hems, the portray of the roof by J Thorne of Crediton and interior redecorating with sgraffiato plastering by Gould in collaboration with Radford. In 1902 the chancel was restored by G Fellowes Prynne with choir stalls put in, the roof painted and a good oak display screen inserted carved by Herbert Reed. Exterior: 3 stage battlemented west tower with crocketted pinnacles and established-again buttresses to its decreased phase. Possibly rebuilt 2-centred arch west doorway with substantial reduction fleurons carved on soffit. 3-light Perpendicular west window with restored tracery. 2-mild cinquefoil-headed belfry openings. Pentagonal stair turret on north side of tower. The north aisle has large 3-mild Perpendicular windows, partly restored, those struggling with north have carved headstops to their hoodmoulds. 4-centred arched granite north doorway with arched market over which is made up of a probably C19 sculpture of Christ the Shepherd. Granite ashlar buttresses inbetween windows. North transept is battlemented with set-back again buttresses and huge gargoyles on east and west sides. North window is identical to all those of aisle. Elaborate C19 ashlar chimney stack axial concerning organ chamber and chancel is crenellated with gargoyle at every single corner. C19 reduced crenellated vestry between north chapel and east finish of chancel, at the rear of it is the restored Perpendicular east window to the chapel. 3-light front window with intersecting tracery, circa 1300, but probably restored, south side of chancel has modern Y-tracery window to east stop with 1- and 2-light-weight lancets to its still left. Smaller 2-centre arched priest’s doorway in between them – all in pink sandstone. Tiny south transept has plaque on east wall known as the Gidley medal – it is round with a heraldic shield containing the unit of a castle, which was awarded for layalty in the course of the Civil War. South side of transept has pretty compact 2-centre arched granite doorway with 2- light segmental-headed granite mullion higher than and a slate sundial in the apex of the gable. Ball finial to coping stones of gable in crude form of cranium. Nave has 3 3-light-weight windows, the 2 outer kinds in the Adorned style and almost certainly rebuilt, the other Perpendicular. Rebuilt south porch with big arched doorway and diagonal buttress either aspect. Graphic niches in apex with carved figures of Mary, the Shepherds and the Three Kings. Interior: porch has almost certainly restored painted wagon roof with moulded ribs and carved wall-plate. Quite straightforward 2-centred arched chamfered south doorway. Huge carving in recess above of Christ with the Apostles. 6-bay granite arcade to north aisle of Pevsner A-kind piers with molded bases and cup capitals, roll and hollow moulded frustrated 4-centred arches. The piers to the north chapel arch and that of the chancel have slightly unique mouldings. Basic 4-centred tower arch with chamfered imposts. South transept has very simple round-headed arch with inset roll moulding. First wagon roofs to nave, north aisle and chapel with moulded ribs, carved bosses and wall-plate and angel corbels. The aisle and nave roofs are ornately painted, the restored chancel roof is also painted with a great deal gilding. Flat boarded ceiling to north transept. Octagonal font with carved 4-petal bouquets to panels and trefoiled headed recesses to shaft. In the north transept are a number of late C18 and early C19 marble wall memorials, also 1 of 1656 to Arthur Penfound of Penfound in Cornwall. Some C17 flooring memorials also survive in the transept and there are some others at the souht-east conclude of the nave and in the south transept, pretty worn, one most likely to a Gidleigh, dated 1634 with the heraldic shield bering a castle. In this transept is a marble wall memorial to Bartholomew Gidley who died 1702, it has a carved coat of arms above incorporating the castle and sheafs of corn. The internal wall surfaces are protected with sgraffito decoration from the late C19 restoration of differing models to the nave and aisle – which have horizontal bands of purple alternating with various floral and geometric patterns – and the north chapel and chancel which have a considerably less colourful incised decoration. The imposing pulpit of Derby alabaster and the ornate carved alabaster and mosaic reredos have been also element of Gould’s restoration. The only surviving previous glass is in the north-west window depicting figures of angels bearing shields. The desire of this extraordinary church lies not only in the surviving medieval and C17 cloth but also in the substantial high quality and extremely ornamental restoration get the job done carried out in the late C19 and early C20 with the unconventional sgraffito ornamentation of the walls. Resources: Devon C19 Church buildings Undertaking
© Historic England 2022
Posted by The Shaldives on 2022-05-03 21:34:05
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