fisherman, 15th Century

fisherman, 15th Century

fisherman, 15th Century

St Mary, Fantastic Bealings, Suffolk

I was out for a bicycle trip and church discover in the beautiful sunshine of the final Saturday in October. I experienced a new digital camera to try out out, and soon after a pint at the pub in Grundisburgh, the most outward part of my trajectory, I was heading back again into Ipswich via the Bealings.

Initial, Wonderful Bealings, Inspite of our proximity to the sprawl of better Ipswich, this church is in a decidedly rural setting in the rolling, wooded fields to the north-east of the city. In the thinning light of the late afternoon, the setting up seemed organic and natural, sitting in its wild churchyard surrounded by open land on all four sides, from which it is divided by a high-quality aged wall. A path by way of an avenue of trees potential customers from the principal highway to the north east corner.

The tower is 15th century, and has a very good picture niche. The Victorians and Edwardians ended up active right here (as we shall see) and considerably of the stonework of the nave and chancel is new, particularly on the south side. The substantial early 16th century brick north porch carries the iconography of the Seckford household, and a different graphic market. Beneath this, the white band carries the fading stays of a painted dedicatory inscription. The internal doorway retains the unique door, set below when the porch was created, and carved with standing figures, such as a single holding a rosary. It opens into a extended, narrow, a little bit dim nave. To the east, the chancel appears to be large previously mentioned the nave, the eye drawn to it by the colored gentle.

The distinction with the church at neighbouring Little Bealings is placing. All Saints, Little Bealings, set in the middle of its pretty village, is easy and rustic, and full of light. Excellent Bealings, by distinction, is darker and relatively critical inside, glowing carefully from the assortment of late 19th and early 20th century glass.

Probably the very best of the glass is the set of the Functions of Mercy in the west window, which Mortlock attributes to Ward & Hughes. Significantly of the rest of the glass seems to be by Lavers, Barraud & Westlake, but 1 window signed by Mayer & Co of Munich in the chancel depicts the youthful Christ preaching in the Temple. Tere’s also a wonderful very little lancet window depicting the Boosting of Jairus’s Daughter. This was a popular topic in sentimental 19th century days as a memorial for a dead daughter, and the inscription beneath it remembers Charlotte Olivia Alice.

The nave is comprehensive of Henry Ringham’s extraordinary carvings, the very best 19th century woodwork in the east of the county together with that Ipswich St Mary le Tower. The magnificent medieval originals, of which some are copies, can be discovered in direction of the west. The medieval image of the pelican in her piety is so very similar to the just one at close by Tuddenham St Martin that they are just about undoubtedly by the very same carver.

The tall finials on the choir pews are symbols of regional landed gentry, somewhat a lot less subtle than Ringham’s work, but lively and amusing nevertheless. They are apparently the work of Edward Moor, who was the father of the vicar here in the next 50 percent of the 19th century. My favourites are the rhinoceros (for the Webb spouse and children) and the moor’s head (for the Moors).

The church incorporates two grand monuments. One particular is in the chancel, to John and Jan Clench, who face us with stern puritan expressions, as if contemplating their fate. Their kneeling sons beneath are accompanied by two painted skulls. That in the nave is to Thomas and Margaret Seckford, descendants of the Thomas Seckford who constructed the porch. Most shifting of all is the late 19th century brass by the north doorway to Charlotte Allen, grand-daughter of the Edward Moor who carved the chancel finials. She died at the Holme, New Galloway in 1891, at the age of 38. A 7 days later, her stays were being laid to rest in the south-east corner of her aged residence churchyard.

Posted by Simon Knott on 2016-10-30 14:06:35

Tagged: , Fantastic , Bealings , Suffolk , East Anglia , church , Nikon D5300

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