Gethsemane, Crucifixion, Empty Tomb by Lavers, Barraud & Westlake, 1877

Gethsemane, Crucifixion, Empty Tomb by Lavers, Barraud & Westlake, 1877

Gethsemane, Crucifixion, Empty Tomb by Lavers, Barraud & Westlake, 1877

St Mary, Good Bealings, Suffolk

I was out for a bike experience and church investigate in the stunning sunshine of the very last Saturday in Oct. I experienced a new digital camera to consider out, and right after a pint at the pub in Grundisburgh, the most outward component of my trajectory, I was heading back into Ipswich by way of the Bealings.

To start with, Great Bealings, Irrespective of our proximity to the sprawl of better Ipswich, this church is in a decidedly rural location in the rolling, wooded fields to the north-east of the city. In the thinning mild of the late afternoon, the building seemed organic and natural, sitting down in its wild churchyard surrounded by open land on all 4 sides, from which it is divided by a wonderful outdated wall. A route by way of an avenue of trees potential customers from the major highway to the north east corner.

The tower is 15th century, and has a good picture specialized niche. The Victorians and Edwardians have been fast paced in this article (as we shall see) and a great deal of the stonework of the nave and chancel is new, specifically on the south aspect. The significant early 16th century brick north porch carries the iconography of the Seckford family members, and one more impression area of interest. Beneath this, the white band carries the fading stays of a painted dedicatory inscription. The interior doorway retains the primary door, put right here when the porch was constructed, and carved with standing figures, like a single keeping a rosary. It opens into a extended, slender, marginally dim nave. To the east, the chancel appears significant higher than the nave, the eye drawn to it by the colored gentle.

The contrast with the church at neighbouring Little Bealings is striking. All Saints, Very little Bealings, established in the middle of its pretty village, is basic and rustic, and comprehensive of mild. Fantastic Bealings, by distinction, is darker and fairly serious within, glowing carefully from the vary of late 19th and early 20th century glass.

Possibly the very best of the glass is the set of the Operates of Mercy in the west window, which Mortlock characteristics to Ward & Hughes. Substantially of the relaxation of the glass appears to be by Lavers, Barraud & Westlake, but just one window signed by Mayer & Co of Munich in the chancel depicts the younger Christ preaching in the Temple. Tere’s also a pretty tiny lancet window depicting the Increasing of Jairus’s Daughter. This was a well known subject matter in sentimental 19th century times as a memorial for a useless daughter, and the inscription beneath it remembers Charlotte Olivia Alice.

The nave is complete of Henry Ringham’s incredible carvings, the most effective 19th century woodwork in the east of the county along with that Ipswich St Mary le Tower. The stunning medieval originals, of which some are copies, can be found toward the west. The medieval graphic of the pelican in her piety is so comparable to the one particular at close by Tuddenham St Martin that they are just about definitely by the exact carver.

The tall finials on the choir pews are symbols of regional landed gentry, rather considerably less refined than Ringham’s work, but energetic and amusing however. They are seemingly the do the job of Edward Moor, who was the father of the vicar listed here in the second fifty percent of the 19th century. My favourites are the rhinoceros (for the Webb loved ones) and the moor’s head (for the Moors).

The church includes two grand monuments. A single is in the chancel, to John and Jan Clench, who encounter us with stern puritan expressions, as if thinking about their destiny. Their kneeling sons beneath are accompanied by two painted skulls. That in the nave is to Thomas and Margaret Seckford, descendants of the Thomas Seckford who built the porch. Most moving of all is the late 19th century brass by the north doorway to Charlotte Allen, grand-daughter of the Edward Moor who carved the chancel finials. She died at the Holme, New Galloway in 1891, at the age of 38. A 7 days later on, her continues to be have been laid to rest in the south-east corner of her outdated household churchyard.

Posted by Simon Knott on 2016-10-30 14:05:59

Tagged: , Terrific , Bealings , Suffolk , East Anglia , church , Nikon D5300

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