The rood display screen seen from the chancel
The church of St Edward was designed in the Arts and Crafts design and style of the late 19th and early 20th generations. Initially created as a ‘chapel of ease’, it was focused in 1903 but not consecrated right up until 1934 nor registered for weddings till 1943. It at last turned the parish church for Kempley in 1975 with the official closure of the nearby 12th century church of St Mary’s. The church was thoroughly renovated in 2014.
The structure of the church is strange for the reason that it has no east window behind the altar. The 7th Earl Beauchamp gave his architect, Randall Wells, a totally free hand with the design and style but wished an exterior stone aid on the east conclude of the church as a roadside shrine for passers-by. It is crafted in local purple sandstone, and the church and lychgate ended up at first roofed with nearby stone tiles, but the church was subsequently re-roofed with pantiles. Timbers for the assistance beams, rafters and other woodwork came from regional oaks on the Earl’s estates.
Regional guys produced the church under the supervision of a nearby carpenter, Walter James. The neighborhood blacksmith, George Smallman, created all the nails, hinges and other ironwork. The church is a steady one nave and chancel with a higher-pitched roof held on hefty scissor-beam roof-trusses, with grapevine trails painted on the rood beam. On the north aspect of the nave is the Girl Chapel, a vestry and a bell tower with a saddleback roof and a porch under. The large west window has a diagonal stone grid, usually referred to as a ‘jam tart’ window. The leaded lights for the window have been manufactured by W Smith of London employing Aged Dutch glass held in a wrought iron casement inside the stone grid.
The lychgate has a gabled roof with a lower deep arch the wedge formed stones earlier mentioned the arch are set as ‘voussoirs’, with a central keystone that distributes the bodyweight to the supports on both aspect of the arch.
There are three sculpted stone relief designs drawn by Randall Wells, two of which were being carved by Walter James. Superior on the east wall experiencing the highway and serving as the Earl’s ‘roadside shrine’, is the ‘Crucifixion of Christ’. Earlier mentioned the entrance porch of the church is ‘Christ the Peacemaker’. Within the porch over the major doorway into the church is ‘Virgin and Child’ by Laurence Turner.
Within the church the carved rood beam carries the figure of ‘Christ Triumphant’ on the cross. The carving of Christ was done by David Gibb, the last remaining carver of ship’s figureheads in London. To the sides of the crucifixion are the Virgin Mary and St John.
The altar, candle holders and lectern arrived from the Daneway workshop in Gloucestershire they have been intended by Ernest Gimson and Ernest Barnsley and manufactured in oak by Peter van der Waals. The candelabra have been created by Charles Robert Ashbee and the pews by the Gloucester Woodworking Co. The stone font was made by Gimson but its maker is unknown.
Posted by WendyHarris1955 on 2022-03-13 20:44:26
Tagged: , church , Church of England , Christianity , Anglican , religion , spot of worship , Arts and Crafts , 20th century building , holy , hallowed floor , eglise , kirche , iglesias , Gloucestershire , United kingdom , England , parish church
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