St Botolph, Trunch, Norfolk

St Botolph, Trunch, Norfolk

St Botolph, Trunch, Norfolk

So, listed here it is, the reason I drove throughout Norfolk: Trunch in all it can be glory And it is glorious.

It has so a lot of interesting specifics, each and every one alone would be rationale plenty of to visit, but collectively, in a good village, following to the village pub, and with that font canopy, 1 of only 4 these in all of England, and a single of two in the county.

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The oldest making in Trunch is St. Botolph’s Church. It is generally 14th. and 15th. Century but there are some fragments of stone in the partitions which are believed to have been reused from an earlier Saxon church, which was recorded in the Domesday E-book. There is considerably of fascination in the church including a Rood Monitor, a hammer beam roof and a scarce Font Canopy.

trunchhistory.weebly.com/properties.html

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The huge village of Trunch is situated about 5 miles from the north Norfolk coast. In the centre of the village, surrounded by a attractive collection of cottages and the additional modern Crossroads Inn, is St Botolph’s church. Much of what you see of the church is early 15th century, built upon earlier foundations.
Upon moving into the church the first element you will see is the font, which dates to the mid 14th century. However the font is attractive, it is the carved and painted font canopy that actually makes a pay a visit to to Trunch worthwhile.

This is a very extraordinary piece of woodwork, just one of only 4 this kind of canopies surviving in the entire state (the other individuals are at St Peter Mancroft in Norwich, Durham Cathedral, and Luton). The canopy is supported on 6 fantastically carved legs. The carving element is beautiful with fanciful animal figures and foliage and a little bit of political commentary, in the form of a pig sporting a bishop’s mitre.
In addition to the font cover, Trunch capabilities a excellent 15th century hammer beam roof, a attribute of numerous church buildings in Norfolk and Suffolk. In this article the carvings of angels are superbly done. It is really worth bringing along a pair of binoculars or a telescope in order to see the carvings effectively.
Much easier to see are the medieval misericords (mercy seats) in the chancel. Each individual carving is unique some represent angels, and others are more grotesque in nature. In addition there are some superbly carved pew ends and a painted medieval rood display screen that rivals numerous much more popular church buildings in element and colour.

There are 12 niches in the display, just about every painted with a depiction of a single determine – 11 disciples furthermore St Paul. Considerably of the costume detail is very well preserved, but the faces of the figures were ruined in the course of the upheavals of the Protestant Reformation in the 16th century.

www.britainexpress.com/counties/norfolk/church buildings/Trunch.htm

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William Earl Warren experienced the lordship of this city, (fn. 1) of which 3 freemen ended up deprived 1 of them belonged to Herold, late King of England, one more to Ralph Stalre, and the 3d to Ketel, who held 90 acres of land, and 14 borderers belonged to it, with 5 carucates amid them there was a church endowed with 10 acres, &c. 3 acres of meadow usually valued at 30s. and there were also 5 freemen of Edric in King Edward’s time, who experienced 34 acres of land, with 2 carucates, 2 acres and an 50 percent of meadow, always valued at 7s. 4d. (fn. 2)

This city also belonged to the Earl Warren’s money manor of Gimmingham, and compensated accommodate and assistance to it. In the 34th of Henry III. Maud de Norwich granted by great, to Richer, son of Nicholas, a messuage, 48 acres of land, a mill, and the sixth component of an additional in this city, Swathefeld and Bradfeld. In the 15th of Edward I. the Earl Warren claimed a weekly mercate, on Saturday, in this manor and on the loss of life of John Earl Warren, in the 21st of Edward III. the mercate was valued at 10s. for each ann. the manor arrived right after to the Earl of Lancaster, (as is right before observed,) and so to John of Gaunt Duke of Lancaster, and King Henry IV. and is however in the Crown, as section of the dutchy of Lancaster.

The tenths were being 4l. 10s. deducted 15s.

The Church is dedicated to St. Botolph, and is a frequent pile, with a nave, 2 isles, and a chancel coated with guide, and has a tower with 4 bells.

In the chancel, on a very little monument,

Lancelotus Thexton cappellanus Regis Edw. VI. sacre theologie baccalaureus, et rector de Trunch obt. 25. Febr. 1588, and this protect of arms, quarterly, in the 1st and fourth a cross among four lions heads erased, gules, in the 2d and 3d, ermine, fretty, azure.

In a window below, argent, a fess involving two chevrons, sable.

On a gravestone

Hic jacet Magr. Robt. Cantell, quo’d. rector isti. ecclie, qui. obt. 1 Sept. Ao. Dni. 1480.

Gravestones

In memory of Thomas Worts, gent. who died November 13, 1693, aged 45, with his arms, a few lions rampant, – – – — William Worts. gent. who married Elizabeth, daughter of Riches Brown of Fulmodeston, Esq. died August 25, 1694, aged 60, with the arms of Worts impaling Brown two bars, involving three spears heads, – – –

¶The patronage of the church was granted to the priory of Castleacre, by William Earl Warren, the first on his founding that priory. In the reign of Edward I. the rector had a manse, and 13 acres of land valued at 16 marks, Peter-pence 13d. and the prior of Castleacre experienced a pension or portion of tithe valued at 40s. the current valor is 10l. 13s. 4d. and pays first fruits, &c. the Norwich registers say that William, the second Earl Warren, granted the patronage, and Eborard Bishop of Norwich, confirmed it and that Simon the Bishop verified the pension in 1268.

www.british-record.ac.uk/topographical-hist-norfolk/vol8…

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Trunch is the biggest of the villages in between North Walsham and the sea but as all the industrialisation and tawdry caravan web sites are tough towards the coastline, and Trunch is many miles inland, it has avoided these excesses and retains a terrific rural attraction. It has a impressive church with heaps of intriguing treasures, as properly as a shop, a environmentally friendly, a pub run by an ex-skilled footballer, and generally all the common attributes you count on to obtain in a big village in deepest rural Norfolk.

The church is probably the most intriguing of all spherical about and, though the huge village lends it an urban high-quality that lacks the allure of, say, the churches of neighbouring Edingthorpe and Crostwight, it has by no implies the Victorianised sterility of people at Bacton or Happisburgh.

St Botolph is a massive church, and its tight graveyard would make it alternatively tough to photograph. The full piece seems to have been rebuilt in the early 15th century, although the chancel might be a minimal afterwards, and there is a hint of Decorated about the nave. The tower is fairly uncomplicated, even slight. It builds boldly more than enough, but at the major of the second phase fades into a straightforward bell phase, understated, classy and in all probability meant. This is not a setting up that shouts at you. A curiosity is the large priest porch surrounding the doorway in the chancel. These are extremely strange, even though there is one more, smaller sized one particular at neighbouring Knapton.

The fantastic treasure, of class, is the marvellous font canopy. It is significantly fascinating simply because of its day, coming in the early 16th century ideal on the eve of the English protestant reformation. Like all church furnishings at this time – the tombs at Oxborough, for instance – it provides us a trace of what the English renaissance may have been like if it experienced been permitted to flower. In this article, the significant structure tumbles with intricacy fruit and flowers, leopards and lions peep all-around the silvery oak of the six octagonal columns which are fluted with interlocking chains of element. The glory is the huge crown of canopied niches, with the haunting ghosts of crucifixion groups nevertheless obvious on three of the faces. The whole issue is at after in great harmony with the west end of the church, but exists because it was thought to be lovely alternatively than regarded to be beneficial.There is only 1 other font canopy in Norfolk, at St Peter Mancroft in Norwich Exterior of the county there is an additional at Durham Cathedral, and a fourth at the parish church in Luton – but that is it.

Higher than the canopy is a abundant 15th century hammerbeam roof, by no implies as spectacular as that at nearby Knapton, but extra lovely, I feel. In the place beneath the tower there is what appears to be a gallery like the plough guild gallery at Cawston. This is not as elaborate, but its oak has silvered and it is painted fantastically with trailing rose foliage.

The benching, sad to say, is rather much all 19th century, but alongside with the font cover and roof the medieval monitor survives. Like the cover, this is richly ornamented in reduction, which include a bold dedicatory inscription in diagonal ribbons across the prime part of the dado. The twelve figures (11 disciples and St Paul) are boldly put and coloured, but their faces have been entirely vandalised by the 16th century reformers. Reduced down on the north aspect of the doorway is a uncommon surviving carved consecration cross, suggesting that this monitor was by now set up in the newly developed church of the 15th century. The screen had detached buttressing working vertically at intervals in front of it, as at Ludham. They have been just about totally destroyed, but you can however see the fixings amongst the panels. It have to have been wonderful.

The return stalls in the chancel are fairly substantially all Victorian, but they retain medieval misericords, and also you can see quatrefoil holes set into a sounding chamber to amplify the singing. There is a really curious memorial earlier mentioned the priest door, showcasing the devices of the enthusiasm. I have no strategy how previous it is.

All of these functions would be ample, but element of the attraction of St Botolph is the perception of harmony, the way anything is effective with each other. You can increase to these the sedilia, the spectacular organ, and the modern design and style of the glass in the east window. It is a peaceful, inspiring house.

Cottages and homes hem in the graveyard, and in the corner is the modern-day pub. Incidentally, I do not seriously know if the bloke who runs it is an ex-specialist footballer. But, like quite a few rural Norfolk landlords, he would seem to be a cheerful 40-anything cockney who serves a first rate pint and affordable foods – a advisable stop for churchcrawlers.

Simon Knott, April 2005

www.norfolkchurches.co.uk/trunch/trunch.htm

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And the pub is nonetheless great.

Posted by Jelltex on 2017-10-20 18:37:06

Tagged: , St Botolph , Trunch , Norfolk , Church , Jelltex , Jelltecks

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