Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut foundation
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Quantity: 39.153
On look at at The Fulfilled Fifth Avenue in Gallery 501.
This element is from a examine, (or studiolo), intended for meditation and research. Its partitions are carried out in a wood-inlay strategy identified as intarsia. The latticework doors of the cupboards, proven open or partly shut, suggest the modern day desire in linear point of view. The cabinets screen objects reflecting Duke Federico’s large-ranging creative and scientific interests, and the depictions of guides recall his comprehensive library. Emblems of the Montefeltro are also represented. This home may well have been created by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A very similar place, in situ, was created for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mom // Males pre-eminent in finding out and genius, // How they slide with bared neck ahead of // …… // ………………………………………………knee. // Honored loyalty prevails above justice, and no a single // Repents acquiring yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti spouse and children, Frascati (until finally 1937 offered to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art Heritage
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft University
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Resourceful Producing Pursuits at The Metropolitan Museum of Artwork
oOne Achieved. Quite a few Worlds.
oMusical Devices: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Manual (Spanish)
oThe Metropolitan Museum of Art Guidebook (Russian)
oThe Metropolitan Museum of Art Guide (Portuguese)
oThe Metropolitan Museum of Art Guideline (Korean)
oThe Metropolitan Museum of Artwork Guidebook (Japanese)
oThe Metropolitan Museum of Art Guidebook (Italian)
oThe Metropolitan Museum of Art Guideline (German)
oThe Metropolitan Museum of Artwork Guide (French)
oThe Metropolitan Museum of Artwork Information (Chinese)
oThe Metropolitan Museum of Artwork Information (Arabic)
oThe Metropolitan Museum of Art Guideline
oThe Metropolitan Museum of Art Tutorial
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Appear At Artwork
oThe Artist Challenge
oThe Artwork of Renaissance Europe: A Source for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Appreciate in Renaissance Italy
Posted by Autistic Fact on 2018-10-23 15:49:13
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