Blend Desk
•Maker: Martin Carlin (French, in close proximity to Freiburg im Breisgau ca. 1730-1785 Paris)
•Date: ca. 1775
•Culture: French, Paris
•Medium: Oak and pine veneered with tulipwood, sycamore, holly, boxwood and ebony Carrara marble gilt-bronze mounts components of Sèvres porcelain, rock crystal, silver gilt, and lacquer
•Dimensions:
oOverall (Table): 29 (Peak) × 27¾ (Width) × 16⅜ in. (Depth) (73.7 × 70.5 × 41.6 cm)
oOverall (Bed Table): 9¼ (Peak) × 26⅞ (Width) × 15½ in. (Depth) (23.5 × 68.3 × 39.4 cm)
•Classification: Woodwork-Household furniture
•Credit Line: Reward of Mr. and Mrs. Charles Wrightsman, 1976
•Accession Amount: 1976.155.99a, b
On see at The Achieved Fifth Avenue in Gallery 523.
The principal profession without a doubt of a French Woman is her Bathroom.
—Elizabeth Seymour Percy, Duchess of Northumberland, diary entry for June 9, 1770
The everyday ritual of dressing and grooming was taken extremely significantly in France, and it was not uncommon for an aristocratic lady to get readers, who could even be identified as upon to assist her. Specific pieces of home furniture ended up intended for the toilette, this kind of as this classy marquetry desk signed by Martin Carlin, which is additional multipurpose than most dressing tables. The higher portion can be taken out to provide as a bed table, as it has its very own small legs. It is fitted with an adjustable mirror that can be reversed to variety a ebook rest. A shallow drawer is furnished in entrance, and the lidded compartments on possibly facet are used for the storage of bathroom posts. The lower segment is a whole-size desk with a marble top, pull-out shelves in entrance and back, and drawers on both of those finishes holding products for dressing, breakfasting, and creating. A trelliswork sample enclosing rosettes, which could have been dependent on layouts noticed in Japanese lacquer-work, adorns the exterior of this multipurpose piece, which is further enriched with gilt-bronze mounts.
Most dressing tables do not have as many fittings as the Museum’s piece (not all of which are first), and for that cause it has been suggested that it was supposed for use when touring. On the other hand, the spindly legs are not furnished with a threaded rod for detachment, indicating that the dressing desk would have had to be transported intact. This would make it hugely not likely that the piece was meant to be taken on journeys, as it would not only verify cumbersome in the serious but liable to harm en route.
The table is a regular products of a marchand-mercier, who would have bought or requested the different rock crystal, Sevres porcelain, and silver accoutrements and engaged a cabinetmaker to create the wood frame. Martin Carlin, a German-born cabinetmaker who experienced settled in Paris by 1759, specialized in earning high-priced and stylish home furnishings and frequently collaborated with the sellers Simon-Philippe Poirier and Dominique Daguerre. A intently related combination desk is in The Frick Assortment, New York.
Epigraph. Northumberland 1752/74/1926, p. 135.
Signatures, Inscriptions, and Markings
•Signature: Signed by Martin Carlin
Provenance
Mr. and Mrs. Charles Wrightsman, New York (until finally 1976 to MMA)
Timeline of Artwork Heritage
•Timelines
oFrance, 1600-1800 A.D.
Posted by Autistic Fact on 2018-11-10 19:52:33
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