Studiolo from the Ducal Palace in Gubbio
•Designer: Made by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed underneath the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Selection: 39.153
On view at The Fulfilled Fifth Avenue in Gallery 501.
This element is from a study, (or studiolo), intended for meditation and review. Its partitions are carried out in a wooden-inlay technique recognised as intarsia. The latticework doorways of the cupboards, proven open up or partly closed, indicate the up to date interest in linear viewpoint. The cupboards screen objects reflecting Duke Federico’s large-ranging artistic and scientific interests, and the depictions of publications remember his considerable library. Emblems of the Montefeltro are also represented. This space may possibly have been built by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A comparable space, in situ, was produced for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the everlasting nurselings of the venerable mom // Adult males pre-eminent in finding out and genius, // How they slide with bared neck just before // …… // ………………………………………………knee. // Honored loyalty prevails about justice, and no just one // Repents owning yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482) Prince Filippo Massimo Lancellotti, Frascati (from 1874) Lancelotti family members, Frascati (right up until 1937 bought to Adolph Loewi, Venice) [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Artwork Historical past
•Essays
oCollecting for the Kunstkammer
oDomestic Artwork in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Artwork
oPainting Words, Sculpting Language: Artistic Composing Routines at The Metropolitan Museum of Artwork
oOne Satisfied. Many Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Artwork. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Artwork Guideline (Spanish)
oThe Metropolitan Museum of Artwork Tutorial (Russian)
oThe Metropolitan Museum of Artwork Guide (Portuguese)
oThe Metropolitan Museum of Art Guidebook (Korean)
oThe Metropolitan Museum of Artwork Guideline (Japanese)
oThe Metropolitan Museum of Artwork Guideline (Italian)
oThe Metropolitan Museum of Art Guide (German)
oThe Metropolitan Museum of Artwork Guide (French)
oThe Metropolitan Museum of Art Guide (Chinese)
oThe Metropolitan Museum of Art Guideline (Arabic)
oThe Metropolitan Museum of Art Information
oThe Metropolitan Museum of Art Guide
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Artwork
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Artwork Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Youthful Knight in a Landscape: Christian Winner and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Seem At Artwork
oThe Artist Project
oThe Art of Renaissance Europe: A Resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Appreciate in Renaissance Italy
Posted by Autistic Truth on 2018-10-23 15:49:25
Tagged: , Interior , Inside of , Indoors , Composition , Downtown , Downstate , Metropolitan Museum , The Satisfied , The Metropolitan Museum of Artwork , Metropolitan Museum of Art , Architecture , New York , New York State , New York Town , State of New York , Developing , Museum , Museums , Art , United states , US , United States , United States of The united states , The united states , New York County , Manhattan , Artwork Museum , Artwork Museums , Landmark , Central Park , Fifth Ave , Fifth Avenue , European Sculpture and Ornamental Arts , Sculpture , Decorative , Arts , Europe , European Sculpture , European Decorative Arts , Ornamental Arts , Studiolo , Studiolo from the Ducal Palace at Gubbio , Ducal Palace , 1478–82 , 1478-1482 , 1478-82 , 1478–1482 , Duke , Palace , Gubbio , Review Space , Review , Home , Duke of Urbino , Federico da Montefeltro , Urbino , Italy , Renaissance , 1478 , 1482 , 2018
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