ME IN THE ENTRY (L) and UNFINISHED STAIRS (R)

ME IN THE ENTRY (L) and UNFINISHED STAIRS (R)

ME IN THE ENTRY (L) and UNFINISHED STAIRS (R)

On the remaining, you can see me reloading movie into my NIKON F Photomic 35mm SLR with a 50mm Nikkor f1.2 lens. Like anything on the position, the tile flooring was personalized-designed, each individual 12×12 tile slice on 4 corners to let for the 2×2 inserts, thousands of tailor made cuts.

On the appropriate, you can see the stairs that I am in the approach of building. The aged flooring of the dwelling was sagging, so my crew bolstered it from below. Even so, in the center, we had to float above 1 and a fifty percent inches of cement to amount the floor. The stairs are uniform and precise to 1/32 of an inch from leading to bottom (the building code calls for only 3/8 inch).

In 1992, I reworked a household for the actress MEG RYAN. A tiny section of the complete transform, the stairs that I hand-created for her, graced the address of People Magazine with her sitting atop them.

About a year later, just after Meg offered the home to Tony Award-successful actress DINAH MANOFF, the transform was the subject of an posting in SUNSET Journal.

I worked with DINAH MANOFF, far too, incorporating a large basement space, and even experienced lunch with her about at the studios wherever she was taping Empty NEST.

Posted by foto_graffiti on 2013-10-10 00:37:31

Tagged: , Nikon F Photomic , MEG RYAN , actress , transform , People today Journal , SUNSET Journal , Personalized WOODWORKING , licensed creating contractor , Constructing CONTRACTOR , Motion picture stars , ryan , meg , Hollywood , Wonderland Ave , Los Angeles , California , Laurel Canyon

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