St George, Stowlangtoft, Suffolk

St George, Stowlangtoft, Suffolk

St George in Stowlangtoft will have the difference of getting the album with the most images, conserve for Canterbury Cathedral. It was a exceptional church, and 1 I liked visiting.

I was born in Norfolk and lived in Suffolk. So I believed I understood those people two counties. But of study course there is far more to Norfolk than Norwich, Cromer, Yarmouth and Kings Lynn, as there is to Suffolk than Ipswich, Lowestoft, Stowmarket and Bury St. Edmunds. And so on My pal, Simon K, runs a fantastic website, which I link to on EA churches, and on his Suffolk Church page he has visited 707 Suffolk churches, and 909 Norfolk churches. That is a lot of church buildings for two counties to share, and a lot of of all those church buildings are ancient, flint crafted, spherical towered or have wall paintings, picket roof angels or anything truly worth the effort of heading to see or trying to find out the keyholder to achieve obtain.

What I mean is that there is no way a person who only had their personal car right until 1984, and had very little desire in church buildings or parishes could have read of most of the parishes in the two counties, and so a parish church like St George.

I noticed St George from the major highway, I was taking a quick cut to be part of the A14 and from there to the A12 and south on what I hoped my my previous journey of the year to lowestoft as Mother is now out of medical center and in the treatment of district nurses in order to get set back on her ft.

So I saw the tower of St George from about fifty percent a mile away, and imagined I had plenty of time to go around and see within if I could.

I parked at the end of a cul-de-sac of new bungalows, and as I stroll up the financial institution to the gate into the churchyard, the thoroughly clean lines of the tower, very well, towered in excess of me.

In the porch I tried the doorway and discovered it locked, but the keyholder checklist created it crystal clear that the closest a single, at Xmas Cottage, was just over the highway. So, why not consider, Ian?

I went to the cottage and rang the bell. I experienced to fill out my specifics in a ledger, a reasonable measure. But I confirmed by driving licence to confirm that I was who I claimed. Minor did I know the tiny village I lived in had been found. More of that in a minute.

Within St George, you eye is stolen by the amazing pew ends animals of all types, actual and imaginary, and most had not been defaced, only all those of clear human type. A person with the human body of a rooster but a very clear human experience had been left on your own, so is the madness of the puritan’s brain.

I made the decision that I would document just about every pew conclusion figure, and quite a few complete pew finishes so amazing that they had been.

There is the feint outline of a huge wall portray, Simon claims it was of St. Christopher. It would have been most impressive when freshly painted. There is also a great established of misericords.

St George’s glory is the altarpiece, into depth Simon goes down below. It is alarmed, so you are not able to glance at them also closely, unfortunately, but these types of is a sign of the instances.

I took the keys again, and the woman of the residence came to communicate to me as she had been instructed by her husband that I was from Cliffe in Kent, which is in which her household is from. Unfortunately, I am not from, nor are living in Cliffe. For the moment there was indeed two Cliffs in Kent, one particular on the Hoo Peninsular, where her spouse and children is from, and just one near to Dover. Many many years in the past, Cliffe near to Dover was referred to as WestCliffe to differentiate it from its namesake additional north. I explained this to her, but reported St Helen in Cliffe is 1 of my favourite Kent churches, built of alternate layers of black and light-weight flints and stone, in sunlight it glistens and sparkles.

Although St George right here in Stowlangtoft is a great church, it is in a bad condition of repair, and is because of to be designed redundant in the new calendar year. Generally unfortunate when that takes place to a parish church, but it is most likely to be taken about by the CCT, but then who will volunteer to continue to keep it tidy when the outdated wardens and keyholders are far too outdated.

Stowlangtoft is a fantastic church and so glad am I that I spent 40 minutes of my time to visit it. Go to see it now before it is much too late!

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In the summer season of 2003, this web page grew to become a 6-portion collection on BBC Radio Suffolk. A little something I claimed in the fourth programme, about Hessett, created a good amount of correspondence. Referring to the way quite a few church buildings ended up restored in the 19th century, I observed that when we enter a medieval church, we are encountering a Victorian vision of the medieval even when the precise furnishings and fittings are medieval, the entire piece is nevertheless a Victorian conception.

People wrote to me and explained points like “but in that circumstance, Simon, how do we know what was there originally and what wasn’t?”. To which my reply was the enigmatic “think that almost nothing is as it to start with appears, as Sherlock Holmes said”. And if he didn’t, then he should really have done.

A primary illustration of a church that assumes a continuity that may perhaps not essentially be the fact is below in the flat fields concerning Woolpit and Ixworth. This part of Suffolk can be fairly bleak, particularly in late Oct, but England’s greatest summer and autumn for a long time experienced left the churchyard below verdant and golden, as beautiful a put as any I’d noticed that 12 months. The church is substantial, and sits on a mound that has been minimize down on one particular aspect by the highway. I walked up the slope, earlier the memorial to the art critic Peter Fuller and his unborn son, which never ever fails to move me. It is by the sculptor Glynn Williams, and Sister Wendy Beckett suggests of it that it are unable to be pinned down and encapsulated, it defeats the groups of the mere head and sings to us of our further self.

Overcome as you may perhaps be by it, will not fall short to spot the broken window tracery that has been employed to build the wall right here, for thereby hangs a tale.

St George, in scenario you really don’t know, is just one of the excellent Suffolk churches. Despite the fact that it may well externally show up a little significant, and is by no suggests as grand as Blythburgh, Prolonged Melford and the rest, it is a treasure dwelling of the medieval inside. Unusually for a church of its date, it was all rebuilt in a single go, in the late 14th century, and the perpendicular home windows are not but whole of the ‘walls of glass’ assurance that the subsequent century would see. The tracery seems to have been repaired, and perhaps even renewed, which might make clear why there is broken medieval tracery in the churchyard wall. Even so, it will not take a lot to see that the tracery in the wall is not perpendicular at all, but adorned. So it could be that the broken tracery is from the first church that the late 14th century church changed. But the wall is just not medieval, so in which had it been all all those decades?

Yet another survival from the before church is the font. It also asks some queries. Unusually, it features a Saint on 7 of the panels, Christ being on the westwards face. Mortlock dates it to the early 14th century, and the Saints it reveals are common cults from that time: St Margaret, St Catherine, St Peter and St Paul, and fewer commonly St George. The cult of St George was at its height in the early yrs of the 14th century. Mortlock describes the font as mutilated, and it unquestionably isn’t really on the lookout its very best. But I feel there is more likely on below than fulfills the eye. Fonts have been plastered above in Elizabethan instances, and only relief that stood very pleased of the plaster was mutilated. These are all shallow reliefs, and I do not feel they have been mutilated at all. To my eye at least, this stonework appears weathered. I surprise if this font was taken off from the church, most likely in the mid-17th century, and served an outside goal until it was returned in the 19th century.

The tale of this church in the 19th century is very well-documented. In 1832, as aspect of his grand tour of Suffolk, David Davy visited, and was pleased to uncover that the church was at past undergoing maintenance. The chancel experienced been roofless, and the nave utilised for companies. A new Rectory was remaining created. Who was the catalyst powering all this? His name was Samuel Rickards, and he was Rector in this article for just about the middle forty many years of the 19th century. Roy Tricker notes that he was a excellent buddy of John Henry Newman, the foreseeable future Cardinal, and they frequently corresponded on the topic of the pre-Reformation buying of English church buildings. It is interesting to assume how, at this seminal second, Rickards may well have educated the considered of the Oxford Motion. Sadly, when Newman turned a Catholic Rickards broke off all correspondence with him.

Through the study course of the 1840s and 1850s, Rickards transformed Stowlangtoft church. He acquired the wonderful Ipswich woodcarver Henry Ringham in to restore, replicate and comprehensive the marvellous established of bench ends – Ringham did the identical point at Woolpit, a number of miles away. Ringham’s operate is so very good that it is from time to time tricky for the inexperienced eye to detect it even so, as at Woolpit, Ringham only copied animals below, and the wierder stuff is all medieval, and in all probability dates from the rebuilding of the church. The glory of Stowlangtoft’s bench finishes is partly the sheer amount – there are probably 60 carvings – but also that there are numerous distinctive topics you can see some of them under.

The carvings seem to be component of the exact same team as Woolpit and Tostock – you will recognise the unicorn, the chained bear, the bull enjoying a harp, the bird with a man’s head, from equivalent carvings in other places. And then hopefully that tiny alarm bell in your heard should really get started to go “Hmmmm…..” due to the fact some of the carvings below are obviously not from the identical group. It is really hard to consider that the mermaid and the owl, for instance, are from the very same workshop, or even from the identical 10 years. The benches them selves are no clue it was popular apply in the 19th century to change medieval bench finishes on fashionable benches, or on medieval benches, or even on modern day benches designed out of medieval timber (as happened at Blythburgh). Could it be that Samuel Rickards uncovered some of these bench finishes elsewhere? Could he have been the variety of human being to do a thing like that?

Well, sure he could. As Roy Tricker recalls, the medieval roof at the tractarian Thomas Mozley’s church at Cholderton in Wiltshire is 1 that Rickards acquired immediately after acquiring it in storage in Ipswich docks. In the ferment of the good 19th century restoration of our English churches, there was hundreds of medieval junk lying about, a lot of it likely begging. But was Samuel Rickards the variety of person to counterfeit his church’s medieval inheritance?

Perfectly, of course he almost certainly was. Glimpse at the medieval roundels in the center window on the south facet of the nave. The four evangelists are earlier mentioned and beneath two superb representations of the Presentation in the Temple and the Baptism of Christ. You can see them underneath simply click on them to enlarge them. Sadly, they are not medieval at all, and it is frequently accepted that they had been painted by a daughter of Samuel Rickards himself. There is anything comparable the other side of Bury at Hawstead.

Definitely medieval is the large St Christopher wall-painting however discernible on the north wall. It was possibly a person of the previous to be painted. The bench ends are medieval, of course, as is the good rood-screen dado, albeit repainted. There is even some medieval glass in the upper tracery of some of the windows. The laughable stone pulpit is Rickard’s fee, and the work of William White. What can Rickards have been contemplating of? But we stage via into the chancel, and out of the blue the complete point moves up a equipment. For in this article are some things that are certainly impressive.

In a county well-known for its woodwork, the furnishings of Stowlangtoft’s chancel are breathtaking, even awe-inspiring. At the rear of the rood screen dado is Suffolk’s most full set of return stalls. Most hanging are the figures that kind finials to the stall finishes. They are participants in the Mass, like two Monks, two servers and two acolytes. The determine of the Priest at a prayer desk have to be a single of the finest medieval photos in Suffolk Mortlock imagined the stalls the finest in England. I was in this article with my buddy Aidan of Sylly Suffolk fame, and he had earlier photographed and created about these carving a a few of many years in the past. But even he discovered some thing new to photograph, and a hush fell on the chancel as we explored.

The benches that face eastwards are misericords, and beneath them are excellent issues: angels, lions and wodewoses, evangelistic symbols and topped heads. A hawk captures a hare, a dragon sticks out its tongue. Among the seats are bizarre oriental faces. Some of them are underneath click on on them to enlarge them.

Now, you know what I am heading to request next. How considerably of this is from this church at first? It all appears medieval operate, and there is no cause to feel it may not have been moved elsewhere in the church when the chancel was open to the features. What evidence have we bought?

To start with, we really should discover that the only other Suffolk church with this kind of a huge selection of medieval misericords of this high quality is just a mile away, at Norton. I you should not question you to see this as significant, simply to see it in passing. Secondly, I am no carpenter, but it does look to me as though two sets of furnishings have been cobbled jointly the stalls that back on to the screen appear to have been integrated into the larger composition of stalls and desks that front them and the north and south partitions.

Having said that, if you glimpse intently at the figures of the two Deacons, you will see that they are bearing shields of the Ashfield and Peche family members. The Ashfield arms also look on the rood display screen, and the Ashfields have been the key donors when the church was rebuilt in the 14th century. So on equilibrium I am inclined to imagine that the higher element of the stall construction was in this church initially from when it was rebuilt. And the misericords? Nicely, I you should not know. But I believe they have to be thought of as section of the similar set as people at Norton. In which scenario they may perhaps have come from the exact church, which may well have been this 1, but could not have been. Practically surely, the stalls at Norton did not come from Norton church, and folklore has it that they have been initially in the quire of Bury Abbey. Hmm….

Other outstanding factors in St George incorporate FE Howard’s lovely war memorial in the previous north doorway, and in the reverse corner of the nave Hugh Easton’s magnificent St George, which serves the same purpose. It is as very good as his operate at Elveden. Back up in the chancel is a delightful painted pipe organ which was apparently exhibited at, and acquired from, the Good Exhibition of 1851.

But St George at Stowlangtoft is, of class, most famed for the Flemish carvings that flank the instead heavy altarpiece. They have been presented to the church by Henry Wilson of Stowlangtoft Hall, who allegedly located them in an Ixworth junk shop. They show photographs from the crucifixion tale, but are not Stations of the Cross as some guides advise. They date from the 1480s, and had been practically undoubtedly the altarpiece of a French or Flemish monastery that was sacked all through the French Revolution. I had observed a little something comparable at Baumes-les-Messieurs in the French Jura a number of weeks ahead of. There, the carvings are brightly painted, as these at the time were, and piled up in a block instead than distribute out in a line. The niches, and crowning arches over them, are 19th century. My favorite pictures are the Pieta and the Mouth of Hell. Click on the images down below.

A single cold winter’s evening in January 1977, a gang of thieves broke into this locked church and stole them. Absolutely nothing much more was witnessed or listened to of them right until 1982, when they ended up found on display screen in an Amsterdam artwork gallery. Their journey had been a convoluted a single taken to Holland, they have been utilized as protection for a bank loan which was defaulted on. The new operator was then burgled, and the carvings had been fenced to an Amsterdam junk vendor. They had been bought from his store, and taken to the museum, which promptly determined them as 15th century carvings. They set them on display, and a Dutch lady who experienced browse about the Stowlangtoft theft recognised them.

The parish instituted legal proceedings to get them back an injunction was taken out to quit the new operator eliminating them from the museum. The parish lost the circumstance, leaving them with a monstrous lawful bill but the story has a delighted ending. A Dutch businessman negotiated their purchase from the owner, paid out off the authorized expenses, and returned the carvings to Stowlangtoft. Apparently this was all at wide expense, but the businessman gave the present in thanks for Britain’s liberation of Holland for the Nazis. No, thank you, sir.

Nowadays, the carvings are fastened firmly in spot and alarmed, so they will not be heading walkabout again. But a small aspect of me miracles if they truly really should be in this article at all. Guaranteed, they are medieval, but they weren’t listed here at first they were not even in England originally. Would not it be better if they ended up shown somewhere safer, in which individuals could fork out to see them, and deliver some money for the routine maintenance of the church constructing? And then, whisper it, St George may even be saved open.

St George, Stowlangtoft, is in the village large street. A few keyholders are detailed, two of them quickly opposite. I am informed that Wednesday is not a excellent time to attempt and get the important – it is industry working day in Bury.

Simon Knott

www.suffolkchurches.co.uk/stowlangtoft.htm

Posted by Jelltex on 2017-12-18 20:11:52

Tagged: , St George , Stowlangtoft , Suffolk , Church , Jelltex , Jelltecks

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