Carved wooden pew ends, St George, Stowlangtoft, Suffolk

Carved wooden pew ends, St George, Stowlangtoft, Suffolk

Carved wooden pew ends, St George, Stowlangtoft, Suffolk

I was born in Norfolk and lived in Suffolk. So I considered I knew those two counties. But of program there is additional to Norfolk than Norwich, Cromer, Yarmouth and Kings Lynn, as there is to Suffolk than Ipswich, Lowestoft, Stowmarket and Bury St. Edmunds. And so on My buddy, Simon K, operates a wonderful internet site, which I hyperlink to on EA churches, and on his Suffolk Church webpage he has frequented 707 Suffolk church buildings, and 909 Norfolk churches. That is a great deal of church buildings for two counties to share, and a lot of of people churches are historic, flint created, spherical towered or have wall paintings, wood roof angels or one thing really worth the exertion of heading to see or searching for out the keyholder to achieve access.

What I imply is that there is no way an individual who only experienced their personal car or truck until 1984, and had minor fascination in churches or parishes could have listened to of most of the parishes in the two counties, and so a parish church like St George.

I noticed St George from the main street, I was using a brief minimize to be part of the A14 and from there to the A12 and south on what I hoped my my last vacation of the calendar year to lowestoft as Mother is now out of clinic and in the treatment of district nurses in order to get place back again on her ft.

So I observed the tower of St George from about 50 percent a mile away, and imagined I experienced adequate time to go around and see inside if I could.

I parked at the close of a cul-de-sac of new bungalows, and as I wander up the lender to the gate into the churchyard, the clean traces of the tower, nicely, towered about me.

In the porch I tried out the doorway and located it locked, but the keyholder record built it clear that the closest a single, at Christmas Cottage, was just above the street. So, why not try, Ian?

I went to the cottage and rang the bell. I experienced to fill out my facts in a ledger, a sensible measure. But I showed by driving licence to verify that I was who I claimed. Tiny did I know the tiny village I lived in had been noticed. Additional of that in a minute.

Inside of St George, you eye is stolen by the fantastic pew ends animals of all types, authentic and imaginary, and most had not been defaced, only individuals of obvious human type. A person with the human body of a hen but a crystal clear human facial area had been still left alone, therefore is the insanity of the puritan’s intellect.

I resolved that I would document every single pew end figure, and a lot of total pew ends so amazing that they ended up.

There is the feint define of a huge wall portray, Simon states it was of St. Christopher. It would have been most spectacular when freshly painted. There is also a fantastic established of misericords.

St George’s glory is the altarpiece, into element Simon goes underneath. It is alarmed, so you cannot look at them as well closely, regrettably, but this sort of is a indication of the instances.

I took the keys again, and the woman of the property came to converse to me as she experienced been told by her husband that I was from Cliffe in Kent, which is where her family members is from. Unfortunately, I am not from, nor reside in Cliffe. For as soon as there was without a doubt two Cliffs in Kent, one particular on the Hoo Peninsular, where her household is from, and a single near to Dover. Numerous years ago, Cliffe in the vicinity of to Dover was referred to as WestCliffe to differentiate it from its namesake more north. I described this to her, but explained St Helen in Cliffe is one of my favorite Kent churches, designed of alternate layers of black and light flints and stone, in sunlight it glistens and sparkles.

Although St George here in Stowlangtoft is a fantastic church, it is in a lousy point out of mend, and is owing to be produced redundant in the new calendar year. Constantly unfortunate when that happens to a parish church, but it is possible to be taken more than by the CCT, but then who will volunteer to hold it tidy when the outdated wardens and keyholders are as well previous.

Stowlangtoft is a wonderful church and so glad am I that I put in 40 minutes of my time to pay a visit to it. Go to see it now prior to it is far too late!

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In the summertime of 2003, this website turned a 6-aspect series on BBC Radio Suffolk. A little something I claimed in the fourth programme, about Hessett, produced a truthful sum of correspondence. Referring to the way lots of church buildings were being restored in the 19th century, I observed that when we enter a medieval church, we are encountering a Victorian vision of the medieval even when the precise furnishings and fittings are medieval, the complete piece is however a Victorian conception.

Folks wrote to me and reported items like “but in that situation, Simon, how do we know what was there at first and what was not?”. To which my reply was the enigmatic “think that absolutely nothing is as it initially appears, as Sherlock Holmes mentioned”. And if he did not, then he really should have finished.

A primary illustration of a church that assumes a continuity that may not actually be the reality is listed here in the flat fields in between Woolpit and Ixworth. This element of Suffolk can be somewhat bleak, especially in late Oct, but England’s very best summer time and autumn for many years had remaining the churchyard right here verdant and golden, as attractive a area as any I’d noticed that calendar year. The church is big, and sits on a mound that has been slice down on a person aspect by the road. I walked up the slope, past the memorial to the art critic Peter Fuller and his unborn son, which in no way fails to shift me. It is by the sculptor Glynn Williams, and Sister Wendy Beckett states of it that it can’t be pinned down and encapsulated, it defeats the groups of the mere mind and sings to us of our deeper self.

Overwhelmed as you might be by it, don’t are unsuccessful to place the broken window tracery that has been utilised to establish the wall below, for therefore hangs a tale.

St George, in situation you don’t know, is a single of the wonderful Suffolk churches. Although it may possibly externally look a minor extreme, and is by no signifies as grand as Blythburgh, Lengthy Melford and the relaxation, it is a treasure property of the medieval inside of. Unusually for a church of its day, it was all rebuilt in a single go, in the late 14th century, and the perpendicular windows are not however total of the ‘walls of glass’ self-assurance that the subsequent century would see. The tracery appears to have been repaired, and maybe even renewed, which might explain why there is broken medieval tracery in the churchyard wall. Nevertheless, it doesn’t get a lot to see that the tracery in the wall is not perpendicular at all, but embellished. So it might be that the damaged tracery is from the authentic church that the late 14th century church replaced. But the wall is just not medieval, so where by experienced it been all all those a long time?

An additional survival from the previously church is the font. It also asks some queries. Unusually, it attributes a Saint on 7 of the panels, Christ being on the westwards confront. Mortlock dates it to the early 14th century, and the Saints it exhibits are common cults from that time: St Margaret, St Catherine, St Peter and St Paul, and fewer normally St George. The cult of St George was at its height in the early decades of the 14th century. Mortlock describes the font as mutilated, and it definitely is not searching its ideal. But I feel there is much more heading on in this article than meets the eye. Fonts ended up plastered over in Elizabethan times, and only relief that stood very pleased of the plaster was mutilated. These are all shallow reliefs, and I do not think they have been mutilated at all. To my eye at least, this stonework appears weathered. I wonder if this font was removed from the church, possibly in the mid-17th century, and served an outside intent till it was returned in the 19th century.

The story of this church in the 19th century is very well-documented. In 1832, as aspect of his grand tour of Suffolk, David Davy frequented, and was delighted to obtain that the church was at final undergoing mend. The chancel had been roofless, and the nave employed for companies. A new Rectory was getting developed. Who was the catalyst driving all this? His title was Samuel Rickards, and he was Rector listed here for practically the middle forty a long time of the 19th century. Roy Tricker notes that he was a excellent good friend of John Henry Newman, the long run Cardinal, and they generally corresponded on the subject of the pre-Reformation purchasing of English churches. It is interesting to imagine how, at this seminal second, Rickards may have informed the imagined of the Oxford Motion. Unfortunately, when Newman became a Catholic Rickards broke off all correspondence with him.

Through the course of the 1840s and 1850s, Rickards reworked Stowlangtoft church. He acquired the great Ipswich woodcarver Henry Ringham in to restore, replicate and entire the marvellous established of bench ends – Ringham did the identical detail at Woolpit, a several miles away. Ringham’s work is so good that it is sometimes challenging for the inexperienced eye to detect it even so, as at Woolpit, Ringham only copied animals listed here, and the wierder things is all medieval, and most likely dates from the rebuilding of the church. The glory of Stowlangtoft’s bench ends is partly the sheer amount – there are perhaps 60 carvings – but also that there are numerous exclusive subjects you can see some of them down below.

The carvings look to be part of the similar team as Woolpit and Tostock – you will recognise the unicorn, the chained bear, the bull actively playing a harp, the hen with a man’s head, from identical carvings in other places. And then ideally that tiny alarm bell in your read need to commence to go “Hmmmm…..” for the reason that some of the carvings below are plainly not from the very same group. It is difficult to believe that that the mermaid and the owl, for example, are from the same workshop, or even from the identical ten years. The benches by themselves are no clue it was typical follow in the 19th century to substitute medieval bench ends on modern-day benches, or on medieval benches, or even on modern benches built out of medieval timber (as transpired at Blythburgh). Could it be that Samuel Rickards uncovered some of these bench ends somewhere else? Could he have been the form of person to do a detail like that?

Well, sure he could. As Roy Tricker recalls, the medieval roof at the tractarian Thomas Mozley’s church at Cholderton in Wiltshire is one particular that Rickards obtained after finding it in storage in Ipswich docks. In the ferment of the excellent 19th century restoration of our English churches, there was masses of medieval junk lying close to, much of it heading begging. But was Samuel Rickards the variety of particular person to counterfeit his church’s medieval inheritance?

Nicely, indeed he in all probability was. Glimpse at the medieval roundels in the center window on the south facet of the nave. The 4 evangelists are earlier mentioned and under two outstanding representations of the Presentation in the Temple and the Baptism of Christ. You can see them below click on them to enlarge them. Sadly, they are not medieval at all, and it is typically recognized that they have been painted by a daughter of Samuel Rickards himself. There is one thing identical the other aspect of Bury at Hawstead.

Actually medieval is the large St Christopher wall-painting nonetheless discernible on the north wall. It was likely a person of the very last to be painted. The bench finishes are medieval, of course, as is the fantastic rood-screen dado, albeit repainted. There is even some medieval glass in the higher tracery of some of the windows. The laughable stone pulpit is Rickard’s fee, and the operate of William White. What can Rickards have been imagining of? But we stage by way of into the chancel, and out of the blue the full point moves up a equipment. For below are some issues that are really amazing.

In a county famed for its woodwork, the furnishings of Stowlangtoft’s chancel are breathtaking, even awe-inspiring. Behind the rood screen dado is Suffolk’s most entire established of return stalls. Most putting are the figures that kind finials to the stall finishes. They are contributors in the Mass, together with two Priests, two servers and two acolytes. The figure of the Priest at a prayer desk will have to be 1 of the most effective medieval photographs in Suffolk Mortlock imagined the stalls the finest in England. I was in this article with my close friend Aidan of Sylly Suffolk fame, and he had earlier photographed and written about these carving a a few of a long time back. But even he observed some thing new to photograph, and a hush fell on the chancel as we explored.

The benches that facial area eastwards are misericords, and beneath them are amazing matters: angels, lions and wodewoses, evangelistic symbols and crowned heads. A hawk captures a hare, a dragon sticks out its tongue. Among the seats are strange oriental faces. Some of them are underneath click on them to enlarge them.

Now, you know what I am likely to request upcoming. How much of this is from this church initially? It all seems medieval operate, and there is no cause to think it could not have been moved somewhere else in the church when the chancel was open up to the things. What evidence have we acquired?

To begin with, we should notice that the only other Suffolk church with such a large selection of medieval misericords of this high-quality is just a mile away, at Norton. I never inquire you to see this as sizeable, just to observe it in passing. Next, I am no carpenter, but it does glance to me as though two sets of furnishings have been cobbled alongside one another the stalls that back on to the display show up to have been integrated into the larger construction of stalls and desks that entrance them and the north and south walls.

However, if you glimpse intently at the figures of the two Deacons, you will see that they are bearing shields of the Ashfield and Peche families. The Ashfield arms also look on the rood monitor, and the Ashfields had been the major donors when the church was rebuilt in the 14th century. So on balance I am inclined to assume that the better section of the stall framework was in this church at first from when it was rebuilt. And the misericords? Effectively, I really don’t know. But I believe they have to be viewed as as section of the very same established as those at Norton. In which scenario they may have come from the same church, which may have been this a single, but may perhaps not have been. Just about absolutely, the stalls at Norton did not appear from Norton church, and folklore has it that they have been initially in the quire of Bury Abbey. Hmm….

Other impressive points in St George include FE Howard’s attractive war memorial in the former north doorway, and in the reverse corner of the nave Hugh Easton’s beautiful St George, which serves the exact same function. It is as good as his operate at Elveden. Back again up in the chancel is a delightful painted pipe organ which was seemingly exhibited at, and acquired from, the Excellent Exhibition of 1851.

But St George at Stowlangtoft is, of system, most famous for the Flemish carvings that flank the rather significant altarpiece. They ended up supplied to the church by Henry Wilson of Stowlangtoft Corridor, who allegedly found them in an Ixworth junk shop. They present pictures from the crucifixion tale, but are not Stations of the Cross as some guides counsel. They date from the 1480s, and had been almost unquestionably the altarpiece of a French or Flemish monastery that was sacked throughout the French Revolution. I had noticed anything related at Baumes-les-Messieurs in the French Jura a few weeks prior to. There, the carvings are brightly painted, as these once ended up, and piled up in a block fairly than unfold out in a line. The niches, and crowning arches earlier mentioned them, are 19th century. My favorite images are the Pieta and the Mouth of Hell. Simply click on the images beneath.

A person cold winter’s night time in January 1977, a gang of thieves broke into this locked church and stole them. Practically nothing additional was viewed or listened to of them until 1982, when they were identified on exhibit in an Amsterdam art gallery. Their journey experienced been a convoluted a person taken to Holland, they were being utilized as protection for a mortgage which was defaulted on. The new owner was then burgled, and the carvings have been fenced to an Amsterdam junk supplier. They were acquired from his store, and taken to the museum, which right away discovered them as 15th century carvings. They set them on exhibit, and a Dutch female who experienced read about the Stowlangtoft theft recognised them.

The parish instituted legal proceedings to get them back again an injunction was taken out to halt the new owner getting rid of them from the museum. The parish lost the situation, leaving them with a monstrous legal bill but the tale has a pleased ending. A Dutch businessman negotiated their purchase from the operator, compensated off the legal expenditures, and returned the carvings to Stowlangtoft. Seemingly this was all at broad charge, but the businessman gave the reward in many thanks for Britain’s liberation of Holland for the Nazis. No, thank you, sir.

Right now, the carvings are fixed firmly in put and alarmed, so they is not going to be heading walkabout once again. But a minor component of me wonders if they seriously should be here at all. Guaranteed, they are medieval, but they were not here at first they were not even in England initially. Would not it be greater if they were displayed someplace safer, where people could shell out to see them, and give some money for the maintenance of the church building? And then, whisper it, St George may even be held open up.

St George, Stowlangtoft, is in the village significant road. A few keyholders are shown, two of them quickly reverse. I am instructed that Wednesday is not a excellent time to check out and get the important – it is market day in Bury.

Simon Knott

www.suffolkchurches.co.uk/stowlangtoft.htm

Posted by Jelltex on 2017-12-17 14:44:00

Tagged: , St George , Stowlangtoft , Suffolk , pew , ends , carved pew finishes , Jelltex , Jelltecks , church

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