Blogged in The Woodwork: What dSLR (not to get)? [The entry kit dSLR Part 3]
Nikon D5000 w/AF-S Nikkor 50mm f/1.4G
South of Market, San Francisco, California
Olympus E-P2, M.ZUIKO Electronic ED 14-42mm 1:3.5-5.6
Adobe Camera Raw, nik Sharpener (uncooked presharpen), Topaz DeNoise 3, nik Silver Efex Pro, BorderFX
1/6sec @ ƒ5.2, iso 800, 36mm (72mm)
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Marie’s new camera with my new lens. I bought the lens for the reason that it is sharper and focuses on these new bodies.
Taking pictures notes: Clearly 1/6sec, even with impression stabilization, could do with a higher ISO or far better lighting. That’s why I chose to black and white it.
Editing notes: A great deal of filtering was finished in buy to make the image glimpse a lot improved than it is. Some control factors were added to dodge the camera deep in shadow—the movie processing is pretty contrasty. I like the reverse contrast presented by the blue filter—the variation on a black digital camera (wood foreground) is refined but obvious. Of course, a great deal of vignetting is likely on. It is awesome you can select the place in Silver Efex Professional.
Simply click for primary photograph (If you are unable to watch this, add me to your contacts and I’ll insert you to my good friends. If you are already a make contact with of mine then just jet me a concept and I will deal with your status.)
Posted by tychay on 2010-01-23 07:01:59
Tagged: , Adobe Camera Raw , Nikon D5000 , Topaz DeNoise 3 , tools , BorderFX , product images , photograph digicam , Nikkor , camera porn , item , publish-processing , 50mm f/1.4G , lens , Zuiko , Topaz DeNoise , Olympus E-P2 , nik Silver Efex Professional , uncooked presharpen , Topaz , M.ZUIKO Digital ED 14-42mm 1:3.5-5.6 , nik Sharpener Professional
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