St Mary, Ecclesfield, Sheffield.
Memorial Window (depth) to Thomas Dunn Jeffcock (d1859) & his wife Maria (d1883).
By Charles Eamer Kempe (1837-1907), c1895.
Charles Eamer Kempe was a painter of walls, ceilings and woodwork of churches in the 1860s. The fashion then in vogue reflected a resurgence of desire to significant church methods. Kempe’s teaching served him perfectly, and he started his personal stained glass corporation, CE Kempe & Co in London, in 1868. He was not a experienced artist, but was yet inventive, and able to suggest thoughts which could be made by his artists and cartoonists. He insisted that only the firm’s name should choose the credit score for the normal of work created, and that unique associates of the studio continue to be anonymous.
Kempe perfected the use of silver stain on obvious glass, which leaves a yellow tint, which could be fragile or deep dependent on the total of stain. His biggest stylistic impact was the stained glass of Northern Germany and Flanders from the 16th Century. He took several trips to Europe, typically having the Kempe Company artists with him. The insignia of Kempe, from about 1895 till his dying in 1907 was a wheatsheaf, from his family’s coat of arms. After his demise, the organization was operate by four of his directors, together with his cousin, Walter Tower. The insignia then changed to a wheatsheaf with a black tower.
Posted by Budby on 2016-12-02 14:59:41
Tagged: , ecclesfield , sheffield , church , south yorkshire , stained glass , window
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